Cartografia dos ritmos: a regionalização do Brasil a partir da música

The proposals of different methodologies to teach Geography, usually articulated with the Arts, usually result in positive responses for the understanding of this science. When we explore a subject in a school context, we need to consider this practice as part of a learning construction process....

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Autor principal: França, Rebecka de
Outros Autores: Dozena, Alessandro
Formato: Dissertação
Idioma:pt_BR
Publicado em: Universidade Federal do Rio Grande do Norte
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Endereço do item:https://repositorio.ufrn.br/handle/123456789/48463
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Resumo:The proposals of different methodologies to teach Geography, usually articulated with the Arts, usually result in positive responses for the understanding of this science. When we explore a subject in a school context, we need to consider this practice as part of a learning construction process. Therefore, it is essential to dynamize the mechanisms of assimilation of the concepts dealt with in different themes related to Geography. As a proposal of this dissertation, we intend to produce a cartography that uses Brazilian music as a reference, as a circumstantial tool linked to a game. The main objective is to describe the pedagogical strategy entitled "Cartography of Brazilian Rhythms: The Regionalization of Brazil through Music", sharpening the audition in the sense of the perception of themes sung in the verses of songs, such as: relief, climate, vegetation, hydrography, population, regionalities, multiculturalism, slangs, among others. As methodological resources, the research considered a qualitative and bibliographic approach in its initial part and used action research, along with ludic teaching, generating the feeling that learning happens in a recreational way. In this way, we approached experiences of use of this proposal in elementary school, in high school, and in higher education, as tactics to teach the content of regionalization of Brazil in different levels of school instruction. We use a theoretical reference allied to the conceptions of a cultural-humanistic geography as authors VALLEGA (2006); CLAVAL (2007); DOZENA (2016) and among others that reveal possibilities of compression of the geographic space by the sensations inherent to it. As results, the research demonstrates didactic possibilities able to work geography under the act of "learning-playing" geographic contents, as an example of the regionalization of Brazil through regional songs.