Dia de Branco?: O diário de Carolina Maria de Jesus como recorte da desigualdade racial
This paper aims to understand to what extent the racialist discourse is assimilated by the narrator of Quarto de despejo: diário de uma favelada (1960), by Carolina Maria de Jesus. Based on a discussion of the works of Mikhail Bakhtin and Valentin Volóchinov, dialogism is used in conjunction with po...
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| Formato: | bachelorThesis |
| Idioma: | pt_BR |
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Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/57139 |
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| Resumo: | This paper aims to understand to what extent the racialist discourse is assimilated by the narrator of Quarto de despejo: diário de uma favelada (1960), by Carolina Maria de Jesus. Based on a discussion of the works of Mikhail Bakhtin and Valentin Volóchinov, dialogism is used in conjunction with post-colonial literary theory to answer the research question. On this basis, the presence of racialist discourse in the narrative is examined, the assimilation of the discourse of the other in the work in the form of authoritarian discourse and internally
persuasive discourse is investigated, and an attempt is made to understand how the racialist authoritarian discourse is rejected by means of emancipatory discourses. With this in mind, we concluded that the racialist discourse infiltrates the narrator's axiological reality insofar as there is the reproduction of certain hegemonic values, the critical perception of these values and, at a certain point, their criticism and confrontation, albeit in a reflexive and internal way. |
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