História de Paulo Lyra: cultura popular e resistência no bairro de Felipe Camarão em Natal-RN
This research aims to present an ethnographic study on the life history of the artist Paulo Lyra, who lives and performs in the neighborhood of Felipe Camarão a periferic area at Natal (RN), in Brazil. To develop this dissertation, an investigation was carried out in order to understand the reali...
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Formato: | Dissertação |
Idioma: | pt_BR |
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Universidade Federal do Rio Grande do Norte
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Endereço do item: | https://repositorio.ufrn.br/handle/123456789/55581 |
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Resumo: | This research aims to present an ethnographic study on the life history of the artist Paulo Lyra,
who lives and performs in the neighborhood of Felipe Camarão a periferic area at Natal (RN),
in Brazil. To develop this dissertation, an investigation was carried out in order to understand
the reality of this subject, considering his work in the field of popular culture through initiatives
that aim to maintain the memory of popular traditions and in parallel with the social contexts
that made his trajectory, those full of difficulties that made it hard to carry out his work, a
passion for art is revealed that drives him to remain resistant. The motivation for this research
is based on my experience as an educator in the Study Skills Project (PHE), a social project
carried out by the Social Service of Commerce - SESC in partnership with Núcleo de Amparo
ao Menor - NAM, in the neighborhood of Felipe Camarão, when I had the opportunity to get to
know the community, its social and cultural reality and also the artist Paulo Lyra, where I could
observe his performance and representativeness in popular culture, from his participation in the
projects developed by the NAM. For a broader understanding of the thematic axes that make
up this research, a study based on theorists Marilena Chauí (2008), Stuart Hall (2005) and
Manuel Castells (2002) was essential to conceptualize Popular Culture, Cultural Identity and
Resistance. As for the methodology used to achieve the objectives, it started from an
ethnographic study of the life history of the artist Paulo Lyra based on complementary methods
that made possible the paths taken to validate the questions of this investigation. As a result, it
was concluded that popular culture is underserved by the State and that multipliers of cultural
traditions, active and resistant to adversities, are of great importance for the permanence of
popular culture and cultural identity of a people. |
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