A fotografia e o vaqueiro de gibão: a imagem criando sentidos na pesquisa de campo
This dissertation is an investigation in the field of visual anthropology on the use of photographic pictures of the figure of the northeastern cowboy of the city of Acari, in Rio Grande do Norte, Brazil. It presents a cutout about “vaqueiro de gibão” (Brazilian northeastern cowboy of Acari, RN),...
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Formato: | Dissertação |
Idioma: | pt_BR |
Publicado em: |
Universidade Federal do Rio Grande do Norte
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Endereço do item: | https://repositorio.ufrn.br/handle/123456789/54666 |
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Resumo: | This dissertation is an investigation in the field of visual anthropology on the use of
photographic pictures of the figure of the northeastern cowboy of the city of Acari, in Rio
Grande do Norte, Brazil. It presents a cutout about “vaqueiro de gibão” (Brazilian northeastern
cowboy of Acari, RN), the historical and contemporary contexts that define its presence as a
craft and culture, as well as how anthropological strategies have contributed to understand how
they access their own images. Issues involving the use of images in the field of anthropology
are discussed, presenting the strategies adopted that highlight the power of photography as a
tool for constructing knowledge and exploring links between the cowboys and the
photographer-anthropologist, allowing shared and participatory work, bringing relevance to the
presence and contribution of affections among those involved in the process of investigation
and construction of this work. The combination of photography with the experiences,
interviews, records and exchanges made it possible to understand the universe of the cowboys
and contributed to the repertoire of research in the field of Anthropology on the theme of the
“vaqueiro de gibão” and on images. Through this work, it is possible to highlight some ways in
which we can work with images in field research, as well as contribute to the preservation of
the figure of its memory and culture. |
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