A MÚSICA NA CENA: UMA EXPERIÊNCIA NA SONOPLASTIA

The production of a theater performance involves various areas of knowledge. In this paper, I present a synthesis of the artistic and educational experiences that have shaped my journey as a student in the Theater Teaching program at UFRN (Federal University of Rio Grande do Norte) and have led me t...

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Autor principal: Martins, Wallace Vitor Nascimento
Outros Autores: https://lattes.cnpq.br/3020034081453368
Formato: bachelorThesis
Idioma:pt_BR
Publicado em: Universidade Federal do Rio Grande do Norte
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Endereço do item:https://repositorio.ufrn.br/handle/123456789/53856
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Resumo:The production of a theater performance involves various areas of knowledge. In this paper, I present a synthesis of the artistic and educational experiences that have shaped my journey as a student in the Theater Teaching program at UFRN (Federal University of Rio Grande do Norte) and have led me to study two closely related semantic fields: sound design and music in the theatrical context. Sound, as a material phenomenon that depends on space for its propagation, is one of the elements of scenography, and its presence in the production of a scene is a fascinating subject of study. Thus, in this papper, I present some syntheses that characterize my explorations as a Theater student in understanding the historical antecedents of sound elements in Western theater. I also discuss my perception about the importance of music in the theatrical context and, to engage in this discussion, I seek to comprehend the role performed by a sound designer. As a reflective exercise within my undergraduate thesis, I share some aspects of my journey in the Theater Teaching program, from the initial moments when I became interested in the art of sound design through the course "Music in the Scene," to the experiences of teaching theater and sharing some of this knowledge with the children I worked with during one of my internships. Furthermore, I recount an important experience I had while working on the sound design of the play "A Família Pinto," directed by Isaac Holdffer and Kael Lima. Through this experience, I was able to apply what I had learned and gain further insight into the role of sound in theater.