Investigação histórica sobre os trajes de cenas dos cabarés e o traje da lendária Maria Boa
This research began from the experience that preceded the development of the fashion collection made by the author, entitled "Habite-me" (2015), during her participation in the Reallity Show Desafio Brasil Fashion, which had as central reference the story of Maria Boa, an iconic figure...
Na minha lista:
| Autor principal: | |
|---|---|
| Outros Autores: | |
| Formato: | Dissertação |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
|
| Assuntos: | |
| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/52093 |
| Tags: |
Adicionar Tag
Sem tags, seja o primeiro a adicionar uma tag!
|
| Resumo: | This research began from the experience that preceded the development of the
fashion collection made by the author, entitled "Habite-me" (2015), during her
participation in the Reallity Show Desafio Brasil Fashion, which had as central
reference the story of Maria Boa, an iconic figure of Rio Grande do Norte. The overall
goal of the research is to document the history of costumes used by women in
cabarets throughout history, especially the costumes used by the legendary Maria
Boa, given that there are not so many photographic records of the time, so that this
study can serve as an iconographic reference for professionals linked to the area of
costume design and fashion, as well as for the making of a costume of Maria Boa,
outlining the expository part of this research. Among the authors worked on this
research, we emphasize the studies of Prof. Dr. Fausto Viana (ECA/USP), gathered
in the book "O Traje de Cena como Documento", which deals with the concept of
documentary costume. This is a qualitative and documental research, in which a
historical panorama of the cabaret evolution and its costumes throughout history is
traced, until it reaches the Brazilian Northeast, where we come across the story of
the legendary Maria Boa, whose costume, one of the few recorded, was reproduced
and documented, and may later be used as costumes for audiovisual productions
and/or theater. In this sense, the project will subsidize the scientific knowledge of the
costume research work, as a document and its intrinsic importance for scenic production. |
|---|