Um baque pela ancestralidade: nação zamberacatu, pertencimento e construção de um Egbé (comunidade) Afro-Potiguar
This work seeks to dialogue about Maracatu Nation as a cultural manifestation of struggle and resistance. Be a Maracatu Nation means to have a close relationship with ancestry worshiped in the Afro-Brazilian parent religions. In this sense, I use elements of the African worldview (OLIVEIRA, 2020)...
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| Formato: | Dissertação |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/51179 |
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| Resumo: | This work seeks to dialogue about Maracatu Nation as a cultural manifestation of
struggle and resistance. Be a Maracatu Nation means to have a close relationship
with ancestry worshiped in the Afro-Brazilian parent religions. In this sense, I use
elements of the African worldview (OLIVEIRA, 2020) to design ways of belong to
the Zamberacatu Nation to yard people, building than an Egbé, an Afro-Potiguar
society. Understanding that in this building there are religious, cultural and political
aspects, this work seeks to structure itself, studying the relationships developed in
the context of the manifestation, which trigger significant processes to dialogue
about tradition in the contemporaneity, the construction of a black identity and
meanings of a matriarchy within a maracatu nation, consider it as a central element
to the understanding of the ancestry worship.The methodological procedures are
arranged so that the choice of authors and methodology has relation with
demarcate territory of social belonging and giving voice to the racialized
intellectuals, as a writing strategy about the black population that starts from itself
in the molds of Afro-descendant research (CUNHA JUNIOR, 2013), having the
escrevivência (EVARISTO, 2017) as a way of taking the place of the being who
plays and seeks, who is a researcher and researched. I also use the valuation of
the spoken word, orality, as an element that gives birth to writing (A. HAMPATÉ
BÁ, 2010) and observation linked to the perspective of being affected (FAVRETSAADA, 1990), in a perspective of building a text that approaches experimental writing (FLEISCHER, 2018) with fluidity and that evokes horizons. |
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