Uma autobiografia não autorizada: Os sertões de Ernani Satyro na obra O Quadro Negro (1954)
This monograph discusses relevant themes to the study of the History of the Sertões and to the field of historiography of the history of the sertões in Paraíba, by focusing its efforts on better understanding this spatiality through a critical analysis of the novel O Quadro Negro (1954), Written...
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| Outros Autores: | |
| Formato: | bachelorThesis |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Assuntos: | |
| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/51109 |
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| Resumo: | This monograph discusses relevant themes to the study of the History of the Sertões
and to the field of historiography of the history of the sertões in Paraíba, by focusing
its efforts on better understanding this spatiality through a critical analysis of the
novel O Quadro Negro (1954), Written by the patoense politician and writer, Ernani
Satyro (1911-1986). The autobiographical aspect of the work stirs the curiosity of
those who read the work and understand that several aspects of the life of the
protagonist of the novel are similar to the life of the author of the work, even if the
work is not entirely autobiographical, through interviews with magazines and
newspapers , the author does not rule out the possibility of understanding the novel
as an autobiographical work, in this sense he relies on (LEJEUNE 2008) to better
understand the limits of an autobiographical writing and especially the
autobiographical novel, in this sense he understands the writing of the self, as
(GOMES, 2004) in order to better understand the writing of this intellectual from
Paraíba. From a dialogue with the biography written by (FERNANDES, 2018) about
the life and trajectory of the intellectual from Paraíba, it aims to better understand the
autobiographical aspects of the work, performing the proper criticism of the source
and those who write according to their place of speech. |
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