A estética do oprimido na atenção à saúde mental no Brasil
The esthetics of the Oppressed is an elaboration by Augusto Boal, a Brazilian playwright who systematized this artistic-political proposal from the formulations with the Theater of the Oppressed. This methodology consists of the scenic dialogue that problematizes oppressive social relations. The...
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| Formato: | doctoralThesis |
| Idioma: | pt_BR |
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Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/50944 |
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| Resumo: | The esthetics of the Oppressed is an elaboration by Augusto Boal, a Brazilian playwright who
systematized this artistic-political proposal from the formulations with the Theater of the
Oppressed. This methodology consists of the scenic dialogue that problematizes oppressive
social relations. The peculiarity of this method consists of three transgressions: 1- the division
between stage and audience; 2 - between show and real life; 3 - between artists and non-artists.
In the 2000s, with the implementation of the Brazilian National Mental Health Politic (PNSM),
the Ministry of Health established a partnership with the CTO-RJ to train health workers in the
use of this methodology. The research proposed here has the general objective of analyzing the
use of Aesthetics of the Oppressed in Mental Health Care in Brazil. Specific objectives: a) to
identify the social actors who use or have used the Theater of the Oppressed as an instrument
of mental health care; b) describe activities developed in Mental Health Policies with this
aesthetic perspective; c) discuss subjective productions of health work from the theoreticalpractical thinking of Augusto Boal; d) promote critical reflection on the use of
Aesthetics/Theatre of the Oppressed for health care; e) to build a theoretical-practical
framework about Aesthetics in the Oppressed in the field of Mental Health. This study has as
an epistemological reference the thought of Boal, which seeks to strengthen the culturally
oppressed, manipulated or excluded groups and peoples, building a proposition for human
development focused on the analysis of social conflicts from the crossings and flows of
intensities produced in art. The methodological procedures adopted consist of interventions
with self-administered online questionnaires, available on social networks, and individual
interviews with professionals from the health network who use or have used the Theater of the
Oppressed as a work tool, in addition to project managers and linked to the CTO-RJ, when in
partnership with MS. The self-administered questionnaires were descriptively analyzed and the
individual interviews proposed a dialogic conversation/relationship between researcherresearched. From these instruments, it was possible to outline four themes that generated
analysis: 1) Project Theater of the Oppressed in Mental Health; 2) CAPS and the Psychiatric
Reform; 3) Art and Mental Health; 4) Professional paths and the Theater of the Oppressed.
Performances with this theatrical methodology were observed in the promotion and attention
to mental health and that the training process in Theater of the Oppressed in Mental Health
favored processes of creation of care in freedom advocated in the Psychiatric Reform.The
support to the worker, through supervision, material subsidies, theoretical and practical support
proved to be fundamental for the creation of mental health practices based on the principles
and foundations of the anti-asylum fight and the PNSM. From this investigation it was possible
to understand the Aesthetics of the Oppressed as a precursor of the Anti-asylum Struggle,
thinking an analogy with its transgressions to the traditional theater and with that, verifying its
anti-asylum principles, libertarian and focused on human rights, for another society where
asylums do not fit , does not fit the asylum mode. |
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