Três diários à Carolina: escrevivências de pele-memória de uma artista pesquisadora negra na cena

Starting from the practice of writing/living (EVARISTO, 2006), in conjunction with the proposal of an performative academic writing, a f(r)ictional writing (LYRA, 2020), this firstperson dissertation seeks to arrange an encounter between me and the Brazilian writer Carolina Maria de Jesus (2014) f...

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Detalhes bibliográficos
Autor principal: Freitas, Glênia Maria da Silva
Outros Autores: Lyra, Luciana de Fátima Rocha Pereira de
Formato: Dissertação
Idioma:pt_BR
Publicado em: Universidade Federal do Rio Grande do Norte
Assuntos:
Artista negra - experiência de pele-memória
Escrita acadêmica performática f(r)icional - escrevivência
Feminismo negro
Memória - diário - dramaturgia
Construção cênica
Carolina Maria de Jesus
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
Endereço do item:https://repositorio.ufrn.br/handle/123456789/50855
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Descrição
Resumo:Starting from the practice of writing/living (EVARISTO, 2006), in conjunction with the proposal of an performative academic writing, a f(r)ictional writing (LYRA, 2020), this firstperson dissertation seeks to arrange an encounter between me and the Brazilian writer Carolina Maria de Jesus (2014) for a conversation about our diaries written at different times, in order to foster a dramaturgical construction, that have as themes: childhood and non-representation in the media, adolescence and loneliness of the black female artist nowadays. Carolina and I, black women living such similar realities, engage in a dialogue between times where situations of racism, misogyny, objectification of the black female body, class struggle inside and outside the real and fictional scene are exposed, based on reflection, introductory studies of black feminisms (RIBEIRO, 2018), (HOOKS, 2019), defending the idea of a skin-memory experience.

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