Comunicadoras indígenas e a de(s)colonização das imagens
From a decolonial perspective, I investigate which media-communicational strategies three indigenous Brazilian communicators use to propagate their ideas, which images they activate, and how these narratives help to tension the dominant social imaginary. I seek, through Catografia (a methodologic...
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| Formato: | doctoralThesis |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/49569 |
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| Resumo: | From a decolonial perspective, I investigate which media-communicational strategies
three indigenous Brazilian communicators use to propagate their ideas, which images
they activate, and how these narratives help to tension the dominant social imaginary. I
seek, through Catografia (a methodological approach developed during the doctoral
research inspired by the practice of black and indigenous, riverside and quilombola
collectors and collectors), to respond to how peoples deprived of their humanity and
transformed into merchandise of sights during enslavement politicize the looking to
confront the images of control used to determine the place of racialized subjects in
society. From concepts such as concentricity, communicational circles, communicational
arc, reforestation, de(s)colonization of images and images of freedom - elaborated in
confluence with the meanings constructed by indigenous communicators Graça Graúna
(2012, 2013, 2020), Aline Rochedo Pachamama (2015, 2018, 2021) and Márcia Kambeba
(2013, 2020), among other authors -, I analyze how individuals from colonized social
groups appropriate the media to respond to violations resulting from structural racism
through the propagation of images that aim to free the our view of dependence on models,
frameworks and categories of modern colonial thought (which is assumed to be universal,
as it is not racialized). I point out that, in claiming the freedom to choose how they want
to be seen, racialized subjects seek to define themselves from a point of view that differs
from the perspective adopted by racial hegemony to symbolically determine the
subordinated social places destined for blacks and indigenous people. Through their
arrow words, indigenous communicators have sought to reach different target audiences
in attempt to deconstruct the racist and imperialist images propagated about native
peoples, portrayed by the mass media as individuals who must be kept under the tutelage
and surveillance of the State. National. In this exercise, they stress the view of modern
western rationality, pointing out its limits and seeking to go beyond its borders by
proposing other images in addition to those disseminated by the means of social
information at the service of media oligopolies. |
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