The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles
This research aims at comparing two notorious literary works of supernatural literature written by two different authors during the late Victorian era, the period between 1837 and 1901. It investigates how different and similar the authors Oscar Wilde (1854–1900) and Sir Arthur Conan Doyle (1859–193...
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Literatura vitoriana; Sobrenaturalidade; Terror na ficção; Oscar Wilde; Sir Arthur Conan Doyle Victorian literature; Supernaturality, Horror fiction; Oscar Wilde; Sir Arthur Conan Doyle. |
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Literatura vitoriana; Sobrenaturalidade; Terror na ficção; Oscar Wilde; Sir Arthur Conan Doyle Victorian literature; Supernaturality, Horror fiction; Oscar Wilde; Sir Arthur Conan Doyle. Villarinho, Maria de Azevedo e The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles |
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This research aims at comparing two notorious literary works of supernatural literature written by two different authors during the late Victorian era, the period between 1837 and 1901. It investigates how different and similar the authors Oscar Wilde (1854–1900) and Sir Arthur Conan Doyle (1859–1930), who wrote respectively The Picture of Dorian Gray (1890) and The Hound of the Baskervilles (1901), decided to approach the portrayal of supernaturality in their novels. The research was conducted in the field of comparative literature and utilised qualitative data, obtained by the close-reading of the two books and selection of quotes which represented the supernatural theme, more specifically within the setting of the story. The results of the study are the illustration of the similarities and divergences in both portrayals. The predominant similarities in the two novels are the use of darkness in language by both authors to create mysterious settings; the representation of a pact with the devil as the main supernatural occurrence in each story and the corruption of humanity as the origin of this evil. The main divergence noticed in the portrayal of supernaturality among the two works was that Wilde’s novel is not part of the supernatural explained technique, whereas Doyle’s novel is a clear example of this literary device. All things considered, the information collected was enough to consider the main aim of this research to be reached. |
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Araújo, Rosanne Bezerra de |
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Araújo, Rosanne Bezerra de Villarinho, Maria de Azevedo e |
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bachelorThesis |
author |
Villarinho, Maria de Azevedo e |
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Villarinho, Maria de Azevedo e |
title |
The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles |
title_short |
The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles |
title_full |
The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles |
title_fullStr |
The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles |
title_full_unstemmed |
The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles |
title_sort |
supernatural setting and language in the late victorian era: the picture of dorian gray and the hound of the baskervilles |
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Universidade Federal do Rio Grande do Norte |
publishDate |
2022 |
url |
https://repositorio.ufrn.br/handle/123456789/49305 |
work_keys_str_mv |
AT villarinhomariadeazevedoe thesupernaturalsettingandlanguageinthelatevictorianerathepictureofdoriangrayandthehoundofthebaskervilles AT villarinhomariadeazevedoe supernaturalsettingandlanguageinthelatevictorianerathepictureofdoriangrayandthehoundofthebaskervilles |
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ri-123456789-493052023-03-07T17:48:09Z The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles The Supernatural Setting and Language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles Villarinho, Maria de Azevedo e Araújo, Rosanne Bezerra de http://lattes.cnpq.br/8488280753146570 Ferreira Júnior, Tito Matias Assis, Luis Alfredo Fernandes de Literatura vitoriana; Sobrenaturalidade; Terror na ficção; Oscar Wilde; Sir Arthur Conan Doyle Victorian literature; Supernaturality, Horror fiction; Oscar Wilde; Sir Arthur Conan Doyle. This research aims at comparing two notorious literary works of supernatural literature written by two different authors during the late Victorian era, the period between 1837 and 1901. It investigates how different and similar the authors Oscar Wilde (1854–1900) and Sir Arthur Conan Doyle (1859–1930), who wrote respectively The Picture of Dorian Gray (1890) and The Hound of the Baskervilles (1901), decided to approach the portrayal of supernaturality in their novels. The research was conducted in the field of comparative literature and utilised qualitative data, obtained by the close-reading of the two books and selection of quotes which represented the supernatural theme, more specifically within the setting of the story. The results of the study are the illustration of the similarities and divergences in both portrayals. The predominant similarities in the two novels are the use of darkness in language by both authors to create mysterious settings; the representation of a pact with the devil as the main supernatural occurrence in each story and the corruption of humanity as the origin of this evil. The main divergence noticed in the portrayal of supernaturality among the two works was that Wilde’s novel is not part of the supernatural explained technique, whereas Doyle’s novel is a clear example of this literary device. All things considered, the information collected was enough to consider the main aim of this research to be reached. This research aims at comparing two notorious literary works of supernatural literature written by two different authors during the late Victorian era, the period between 1837 and 1901. It investigates how different and similar the authors Oscar Wilde (1854–1900) and Sir Arthur Conan Doyle (1859–1930), who wrote respectively The Picture of Dorian Gray (1890) and The Hound of the Baskervilles (1901), decided to approach the portrayal of supernaturality in their novels. The research was conducted in the field of comparative literature and utilised qualitative data, obtained by the close-reading of the two books and selection of quotes which represented the supernatural theme, more specifically within the setting of the story. The results of the study are the illustration of the similarities and divergences in both portrayals. The predominant similarities in the two novels are the use of darkness in language by both authors to create mysterious settings; the representation of a pact with the devil as the main supernatural occurrence in each story and the corruption of humanity as the origin of this evil. The main divergence noticed in the portrayal of supernaturality among the two works was that Wilde’s novel is not part of the supernatural explained technique, whereas Doyle’s novel is a clear example of this literary device. All things considered, the information collected was enough to consider the main aim of this research to be reached. 2022-09-06T13:59:07Z 2022-09-06T13:59:07Z 2022-07-12 bachelorThesis VILLARINHO, Maria de Azevedo e. The supernatural setting and language in the Late Victorian Era: The Picture of Dorian Gray and The Hound of the Baskervilles. 2022. 38f. Trabalho de Conclusão de Curso (Licenciatura em Letras - Inglês), Universidade Federal do Rio Grande do Norte, Departamento de Línguas e Literaturas Estrangeiras Modernas, Natal, 2022. https://repositorio.ufrn.br/handle/123456789/49305 en Attribution 3.0 Brazil http://creativecommons.org/licenses/by/3.0/br/ application/pdf Universidade Federal do Rio Grande do Norte Brasil UFRN Letras - Inglês Línguas e Literaturas Estrangeiras Modernas |