Memória coletiva e imagens ancestrais: um paralelo entre as artes cênicas e as experiências rituais
In the present study of ritual theater, we understood that the theater since its beginnings had ritual (mystical) elements that were always distinguished by the characteristic of making other realities dream or bringing other perceptions to its participants. The experiences that bring the artist...
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Formato: | Dissertação |
Idioma: | pt_BR |
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Universidade Federal do Rio Grande do Norte
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Endereço do item: | https://repositorio.ufrn.br/handle/123456789/49270 |
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Resumo: | In the present study of ritual theater, we understood that the theater since its
beginnings had ritual (mystical) elements that were always distinguished by the
characteristic of making other realities dream or bringing other perceptions to its
participants. The experiences that bring the artist closer to altered states of
consciousness have accompanied him since the beginning of artistic representations.
The elements in the scene, the preparation of the actor, the architecture of new spaces,
some themes, melodies and symbols, all these incredible elements generate a symbolic
space, a place to dream and an atmosphere that brings the sacred essence that belongs
to the ritual. The experiences that lead the artist to altered states of consciousness are
“a new search for the sacred” of the religious. Ritual and theater maintain the
collectivity and the symbolic images and forces that preserve the keys to open the door
to the ancestor, the spiritual and the archetypal creative forces. It is in the ritual theater,
where the ritual itself finds another place of action. Archetypes are studied in theater
and ritual, comparing the researcher's personal experiences in the Wixarrikas rituals
and in the Arkhétypos Theater Group. In this way, we seek to discover what happens
in the actor after exciting his senses and being exposed to the ritual elements of this
culture, hoping that they reveal to us the poietic nature of the harmonic geometric
shapes hidden in each atom, thought, feeling or action. Like a spiral that in different
dimensions always follows its path, its harmonic contour is the basis of the geometry
and mathematics of nature. So, for example, the spiral is a universal archetype present
in all expressions of life, hidden in it and born with life where the whole universe
dances. Everything is formed in symbolic spaces, invisible universes (mundus
imaginalis) that are manifested in the ritualistic act. Finally, the collective that is
generated in ritual theater through instinctive or spiritual human emotions makes it
perceived by some authors as a place and a way of taking the knowledge of being to
the depths, including healing in this process, the decoloniality of the imaginary,
exchange, cohesion and social transformation. |
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