A construção da performance da obra Fantasia Sul América para Trompa solo de Claudio Santoro
This research is a study on possibilities and strategies for the preparation of the piece “Fantasia Sul América para Trompa solo” (1983), by composer Claudio Franco de Sá Santoro (1919- 1989), in view of the technical, interpretative difficulties and their characteristics. In carrying out this wo...
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| Formato: | Dissertação |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/49067 |
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| Resumo: | This research is a study on possibilities and strategies for the preparation of the piece “Fantasia
Sul América para Trompa solo” (1983), by composer Claudio Franco de Sá Santoro (1919-
1989), in view of the technical, interpretative difficulties and their characteristics. In carrying
out this work, a qualitative methodology was used, with an emphasis on bibliographic and
documentary research, whose collected information was grouped and analyzed. For the
theoretical foundation, it was necessary to understand the universe of music research as well as
its subareas and horn research. For the preparation of the performance of “Fantasia Sul América
para Trompa solo”, the following musical elements were approached, aiming at the
development of the horn technique: sonority, flexibility, articulation, extension and resistance.
As a result of the research, it was found that through these fundamentals it was possible to
create a routine with studies that will serve as a proposal for horn players who wish to study
“Fantasia Sul América para Trompa solo”. |
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