Sócio-poética das imagens materiais de Belchior: o sertão, a cidade, a América Latina e a Arcádia reinventados
This thesis is about the music lyrics written by the composer Antônio Carlos Belchior (1946- 2017), better known as Belchior, famous for his success in the 1970s and one of the most important notable people of MPB (Brazilian Popular Music). I problematize that the literarymusical images that I add...
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| Formato: | doctoralThesis |
| Idioma: | pt_BR |
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Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/48532 |
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| Resumo: | This thesis is about the music lyrics written by the composer Antônio Carlos Belchior (1946-
2017), better known as Belchior, famous for his success in the 1970s and one of the most
important notable people of MPB (Brazilian Popular Music). I problematize that the literarymusical images that I address in 61 of this artist’s catalog constitute a space socio poetics,
which means that the references to spaces like brazilian sertão, and Latin America, for
example, are organized in a symbolic and imaginary interpretation of social types and
phenomenon, like the woman, the indiginous person, the poor person, the worker, the black
person, the person from the northeast, the immigrant, among others. Therefore, I highlight the
existence of poetic spaces, the collection of literary and artistic images that, when mixed in
Belchior’s work, are real symbolic references, once those marks bring senses, meanings,
feelings, values and ideas that denote aesthetic and personal changes to the detriment of a
more geophysical aspect. I identify, therefore, four poetic spaces: a poetic sertão in Belchior,
subdivided in Sobral sertão, religious sertão and Fortaleza sertão; then a poetic city in
Belchior, which is also subdivided in counterculture city, politic city, and eroticism city; a
Poetic Latin America, subdivided in desire Latin American and the resting Latin American;
at last, the fourth poetic space is the Arcadia, Belchior’s last space of production.
Methodologically, we used a Bachelard reading of images, associating each poetic space to an
element - water, fire, earth and air -of material imagination produced by Gaston Bachelard,
adding to his phenomenological production of space poetics. I associate Bachdlard to the
existent em other media like TV interview, radio, written press, biographical works about
Belchior, and also the dialogue and interview with one of Belchior’s main music partners, the
singer and songwriter Jorge Mello. In this way, I comprehended that the allusive images that I
bring up in Belchior’s songs rebound with his behavior and biography. To study the images,
present on this artist’s catalog, I used a multidisciplinary approach, especially Gaston
Bacherlad and James hillman approaches to the image and imaginary, highlighting how the
imaginary phenomenon attach to the phenomenon of culture taken as an activity, a process
that is in constant change, expressed in Zygmunt Bauman’s approach to the nature of cultural life. |
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