A representação do ator social latino-americano nas crônicas jornalísticas de Gabriel García Márquez

The beginning of the career of Colombian Nobel laureate Gabriel García Márquez was marked by the presence of journalism and literature which, in his case, have always gone hand in hand when it comes to the chronicle genre. It was from 1948 to 1952 that Gabo began his journalistic-literary career,...

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Autor principal: Silva, Alexsandro Leocádio da
Outros Autores: Silva, Regina Simon da
Formato: Dissertação
Idioma:pt_BR
Publicado em: Universidade Federal do Rio Grande do Norte
Assuntos:
Crônicas
Jornalismo-literário
Gabriel García Márquez
Endereço do item:https://repositorio.ufrn.br/handle/123456789/48327
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id ri-123456789-48327
record_format dspace
institution Repositório Institucional
collection RI - UFRN
language pt_BR
topic Crônicas
Jornalismo-literário
Gabriel García Márquez
spellingShingle Crônicas
Jornalismo-literário
Gabriel García Márquez
Silva, Alexsandro Leocádio da
A representação do ator social latino-americano nas crônicas jornalísticas de Gabriel García Márquez
description The beginning of the career of Colombian Nobel laureate Gabriel García Márquez was marked by the presence of journalism and literature which, in his case, have always gone hand in hand when it comes to the chronicle genre. It was from 1948 to 1952 that Gabo began his journalistic-literary career, publishing his notes almost daily in Colombian newspapers. They are chronicles that transit between journalism and literature, the real and the fictional, and all of them carrying the magic of the writing of the man who, years later, would be considered one of the fathers of Latin American Magic Realism. In this dissertation, which analyzes a selection of these journalistic chronicles published in the book Obra periodística Vol.1: Textos costeños (1991), by the Colombian writer Gabriel García Márquez, we intend to analyze how the representation of the social actors present in the form of characters from the chronicles that make up this selection that goes from 1948 to 1952. This is a study based on bibliographic research, which uses, in addition to the book already mentioned, biographies about the author, Bachelard (1989), Bender and Laurito (1993), Candido (1989, 2011), Chiampi (1980), Cunha (1986), Franco (2004), Hall (2006), Moisés (2004), Moscovici (2015, 1978), Nitrini (2000), Sartre (1999), Soares ( 2002) and Vivaldi (1987) as a theoretical basis. It is possible to observe that García Márquez represented his characters from the observation of people who were part of his daily life and the day to day of the readers who read him, composing his texts in a way that Candido (1989) calls humanizing literature, that that has the role of making common people feel represented and identify with what is being read. García Márquez, in the early days of his career, was already writing about his people and for his people, bringing in his narratives the presence of historical events in the identity formation of America about whom/which he writes.
author2 Silva, Regina Simon da
author_facet Silva, Regina Simon da
Silva, Alexsandro Leocádio da
format masterThesis
author Silva, Alexsandro Leocádio da
author_sort Silva, Alexsandro Leocádio da
title A representação do ator social latino-americano nas crônicas jornalísticas de Gabriel García Márquez
title_short A representação do ator social latino-americano nas crônicas jornalísticas de Gabriel García Márquez
title_full A representação do ator social latino-americano nas crônicas jornalísticas de Gabriel García Márquez
title_fullStr A representação do ator social latino-americano nas crônicas jornalísticas de Gabriel García Márquez
title_full_unstemmed A representação do ator social latino-americano nas crônicas jornalísticas de Gabriel García Márquez
title_sort representação do ator social latino-americano nas crônicas jornalísticas de gabriel garcía márquez
publisher Universidade Federal do Rio Grande do Norte
publishDate 2022
url https://repositorio.ufrn.br/handle/123456789/48327
work_keys_str_mv AT silvaalexsandroleocadioda arepresentacaodoatorsociallatinoamericanonascronicasjornalisticasdegabrielgarciamarquez
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spelling ri-123456789-483272022-07-04T22:59:06Z A representação do ator social latino-americano nas crônicas jornalísticas de Gabriel García Márquez Silva, Alexsandro Leocádio da Silva, Regina Simon da http://lattes.cnpq.br/9310580015559207 https://orcid.org/0000-0002-0376-5231 http://lattes.cnpq.br/5077246071578353 Serrão, Raquel de Araújo Lima, Samuel Anderson de Oliveira https://orcid.org/0000-0001-7525-5997 http://lattes.cnpq.br/4097533367851915 Crônicas Jornalismo-literário Gabriel García Márquez The beginning of the career of Colombian Nobel laureate Gabriel García Márquez was marked by the presence of journalism and literature which, in his case, have always gone hand in hand when it comes to the chronicle genre. It was from 1948 to 1952 that Gabo began his journalistic-literary career, publishing his notes almost daily in Colombian newspapers. They are chronicles that transit between journalism and literature, the real and the fictional, and all of them carrying the magic of the writing of the man who, years later, would be considered one of the fathers of Latin American Magic Realism. In this dissertation, which analyzes a selection of these journalistic chronicles published in the book Obra periodística Vol.1: Textos costeños (1991), by the Colombian writer Gabriel García Márquez, we intend to analyze how the representation of the social actors present in the form of characters from the chronicles that make up this selection that goes from 1948 to 1952. This is a study based on bibliographic research, which uses, in addition to the book already mentioned, biographies about the author, Bachelard (1989), Bender and Laurito (1993), Candido (1989, 2011), Chiampi (1980), Cunha (1986), Franco (2004), Hall (2006), Moisés (2004), Moscovici (2015, 1978), Nitrini (2000), Sartre (1999), Soares ( 2002) and Vivaldi (1987) as a theoretical basis. It is possible to observe that García Márquez represented his characters from the observation of people who were part of his daily life and the day to day of the readers who read him, composing his texts in a way that Candido (1989) calls humanizing literature, that that has the role of making common people feel represented and identify with what is being read. García Márquez, in the early days of his career, was already writing about his people and for his people, bringing in his narratives the presence of historical events in the identity formation of America about whom/which he writes. O início da carreira do Nobel colombiano Gabriel García Márquez foi marcado pela presença do jornalismo e da literatura que, no caso dele, sempre andaram de mãos dadas quando o assunto é o gênero crônica. Foi nos anos de 1948 a 1952 que Gabo iniciou sua carreira jornalístico-literária, publicando suas notas quase que diariamente em jornais colombianos. São crônicas que transitam entre o jornalismo e a literatura, o real e o ficcional, e todas carregando a magia da escrita daquele que anos mais tarde viria a ser considerado um dos pais do Realismo mágico latino-americano. Nesta dissertação, que analisa uma seleção dessas crônicas jornalísticas publicadas no livro Obra periodística Vol.1: Textos costeños (1991), do escritor colombiano Gabriel García Márquez, pretende-se analisar como se dá a representação dos atores sociais presentes na forma de personagens das crônicas que compõem essa seleção que vai de 1948 a 1952. Trata-se de um estudo baseado em pesquisa bibliográfica, que utiliza, além do livro já mencionado, biografias sobre o autor, Bachelard (1989), Bender e Laurito (1993), Candido (1989, 2011), Chiampi (1980), Cunha (1986), Franco (2004), Hall (2006), Moisés (2004), Moscovici (2015, 1978), Nitrini (2000), Sartre (1999), Soares (2002) e Vivaldi (1987) como base teórica. É possível observar que García Márquez representava os seus personagens a partir da observação de gente que fazia parte do seu cotidiano e do dia a dia dos leitores que o liam, compondo seus textos de uma forma que Candido (1989) chama de literatura humanizadora, aquela que tem o papel de fazer com que pessoas comuns se sintam representadas e se identifiquem com o que está sendo lido. García Márquez, nos primórdios de sua carreira, já escrevia sobre o seu povo e para seu povo, trazendo em suas narrativas a presença de eventos históricos da formação identitária da América sobre quem/a qual escreve. 2022-07-04T22:58:10Z 2022-07-04T22:58:10Z 2021-12-17 masterThesis SILVA, Alexsandro Leocádio da. A representação do ator social latino-americano nas crônicas jornalísticas de Gabriel García Márquez. 2021. 96f. Dissertação (Mestrado em Estudos da Linguagem) - Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Natal, 2021. https://repositorio.ufrn.br/handle/123456789/48327 pt_BR Acesso Aberto application/pdf Universidade Federal do Rio Grande do Norte Brasil UFRN PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DA LINGUAGEM

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