A representação do ator social latino-americano nas crônicas jornalísticas de Gabriel García Márquez
The beginning of the career of Colombian Nobel laureate Gabriel García Márquez was marked by the presence of journalism and literature which, in his case, have always gone hand in hand when it comes to the chronicle genre. It was from 1948 to 1952 that Gabo began his journalistic-literary career,...
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| Formato: | Dissertação |
| Idioma: | pt_BR |
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Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/48327 |
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| Resumo: | The beginning of the career of Colombian Nobel laureate Gabriel García Márquez was
marked by the presence of journalism and literature which, in his case, have always
gone hand in hand when it comes to the chronicle genre. It was from 1948 to 1952 that
Gabo began his journalistic-literary career, publishing his notes almost daily in
Colombian newspapers. They are chronicles that transit between journalism and
literature, the real and the fictional, and all of them carrying the magic of the writing of
the man who, years later, would be considered one of the fathers of Latin American
Magic Realism. In this dissertation, which analyzes a selection of these journalistic
chronicles published in the book Obra periodística Vol.1: Textos costeños (1991), by
the Colombian writer Gabriel García Márquez, we intend to analyze how the
representation of the social actors present in the form of characters from the chronicles
that make up this selection that goes from 1948 to 1952. This is a study based on
bibliographic research, which uses, in addition to the book already mentioned,
biographies about the author, Bachelard (1989), Bender and Laurito (1993), Candido
(1989, 2011), Chiampi (1980), Cunha (1986), Franco (2004), Hall (2006), Moisés
(2004), Moscovici (2015, 1978), Nitrini (2000), Sartre (1999), Soares ( 2002) and
Vivaldi (1987) as a theoretical basis. It is possible to observe that García Márquez
represented his characters from the observation of people who were part of his daily
life and the day to day of the readers who read him, composing his texts in a way that
Candido (1989) calls humanizing literature, that that has the role of making common
people feel represented and identify with what is being read. García Márquez, in the
early days of his career, was already writing about his people and for his people,
bringing in his narratives the presence of historical events in the identity formation of
America about whom/which he writes. |
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