Composições de Forró de Salú e Lamento do São Francisco para flauta e pífano de Egildo Vieira (1947-2015): análise musical e proposta à luz da estética do Movimento Armorial
The proposed work aims to present a critical edition of the score of the armorial compositions Lamento do São Francisco (2003) and Forró de Salú (2003) for transverse flute and fife by the composer Egildo Vieira (1947-2015). This is a qualitative research, with a descriptiveexplanatory approach, u...
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| Formato: | Dissertação |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/47150 |
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| Resumo: | The proposed work aims to present a critical edition of the score of the armorial compositions
Lamento do São Francisco (2003) and Forró de Salú (2003) for transverse flute and fife by the
composer Egildo Vieira (1947-2015). This is a qualitative research, with a descriptiveexplanatory approach, using the literature review and data collection through the interview
instrument. The study was divided into three phases: preparation that established the
investigation for the construction of the musical conception; experimentation of the ornaments
and articulations that established the suggestion of the interpretation and the edition of the
works with the idiomatic aspects of the composer. The theoretical foundation is based on the
critical edition (FIGUEIREDO, 2004); northeastern soundscape (VENTURA, 2007); fife as a
social meaning (VELHA, 2009); technical-interpretative aspects (SILVA, 2014); aspects of
northeastern music (QUEIROZ, 2014); popular poetics (SANTOS, 2009); regionalism and the
articulation in the transverse flute (BENCK, 2004); aesthetics and the history of the Armorial
Movement (AMARAL, 2013); interpretation of Armorial Music (BEZERRA, 2014); musical
interpretation in general (ABDO, 2005); interpretation and execution (WINTER; SIVEIRA,
2006); baião genre (TINHORÃO, 2013); rhythmic pattern and forró genre (SANTOS, 2013);
Arab influences in Brazilian folklore (SOLER, 1995); timbristic adaptations (ALOAN, 2008). |
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