A aprendizagem musical e o cotidiano das infâncias: uma pesquisa no Curso de Iniciação Artística da EMUFRN-CIART

This research aimed to understand the main influences of everyday elements in the musical learning of students in a 1st year (afternoon) class of the Artistic Initiation Course at the UFRN Music School (CIART). This is a musical initiation course for children from 6 to 9 years old. Classes are taugh...

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Autor principal: Sousa, Laiany Rodrigues de
Outros Autores: Gaulke, Tamar Genz
Formato: Dissertação
Idioma:pt_BR
Publicado em: Universidade Federal do Rio Grande do Norte
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Endereço do item:https://repositorio.ufrn.br/handle/123456789/46924
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id ri-123456789-46924
record_format dspace
institution Repositório Institucional
collection RI - UFRN
language pt_BR
topic Educação musical
Musicalização infantil
Cotidiano
Infância
Curso de Iniciação Artística-CIART
spellingShingle Educação musical
Musicalização infantil
Cotidiano
Infância
Curso de Iniciação Artística-CIART
Sousa, Laiany Rodrigues de
A aprendizagem musical e o cotidiano das infâncias: uma pesquisa no Curso de Iniciação Artística da EMUFRN-CIART
description This research aimed to understand the main influences of everyday elements in the musical learning of students in a 1st year (afternoon) class of the Artistic Initiation Course at the UFRN Music School (CIART). This is a musical initiation course for children from 6 to 9 years old. Classes are taught by monitors (students of the Degree in Music at UFRN). To achieve the proposed objective, we sought to understand the children's cultural contexts; understand how their daily lives are outlined; identify the everyday elements that children brought to the music class; and identify the relationships they build between the musical content and elements worked in the classroom and their daily lives. The research was carried out during a semester with children aged 6 and 7 years old, students of the 1st year (afternoon) class of CIART. This study refers to authors from Sociology, Sociology of Childhood, History, Philosophy and Education, such as Heller (2000), Freire (1996), Sarmento (2003), Gomes (2008), Ariès (2011) and Giddens (2012). The research was developed as an ethnographic case study (MARTUCCI, 2001; MOREIRA, 2002; ANDRÉ, 2005). As for the production and collection of data, these consisted of documentary research, participant observation, production of a field diary, semi-structured interviews in a conversation wheel format and production of drawings with the children, in addition to semi-structured interviews with parents/guardians by the children in the class. Photographs and audio and video recordings were also produced. From the data analysis, it was possible to notice that the children related the contents worked on in music classes to elements of their daily lives outside the classroom. In this way, musical elements were transformed into different things. In addition, they brought their media references and prior knowledge to the music class. In contact with symbols, instruments, sounds and music, memories of objects and facts already known or experienced were raised. In this dialogic movement, the children built their musical learning. When faced with the musical elements and the contents of the classes, they established a connection with their daily experiences, giving new meaning to them and building new knowledge. It was also possible to observe how the children's routine influences the quality of their musical learning. It is considered that this work has relevance for an understanding of the relationship between children's daily lives and practices in music education, bringing reflections on the importance of the music teacher's perspective on the act of listening to children and incorporating their knowledge of life. to the pedagogical process. By identifying the everyday elements that children bring to the classroom and understanding how these aspects influence their musical learning, it is possible to reflect on the teaching-learning process and, based on that, conduct it in a more efficient and appropriate way. to the musical learning of these children. It is also considered that this work can collaborate with the group involved in the research, in order to support the construction of an educational process that is increasingly coherent and meaningful.
author2 Gaulke, Tamar Genz
author_facet Gaulke, Tamar Genz
Sousa, Laiany Rodrigues de
format masterThesis
author Sousa, Laiany Rodrigues de
author_sort Sousa, Laiany Rodrigues de
title A aprendizagem musical e o cotidiano das infâncias: uma pesquisa no Curso de Iniciação Artística da EMUFRN-CIART
title_short A aprendizagem musical e o cotidiano das infâncias: uma pesquisa no Curso de Iniciação Artística da EMUFRN-CIART
title_full A aprendizagem musical e o cotidiano das infâncias: uma pesquisa no Curso de Iniciação Artística da EMUFRN-CIART
title_fullStr A aprendizagem musical e o cotidiano das infâncias: uma pesquisa no Curso de Iniciação Artística da EMUFRN-CIART
title_full_unstemmed A aprendizagem musical e o cotidiano das infâncias: uma pesquisa no Curso de Iniciação Artística da EMUFRN-CIART
title_sort aprendizagem musical e o cotidiano das infâncias: uma pesquisa no curso de iniciação artística da emufrn-ciart
publisher Universidade Federal do Rio Grande do Norte
publishDate 2022
url https://repositorio.ufrn.br/handle/123456789/46924
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spelling ri-123456789-469242022-05-02T15:51:11Z A aprendizagem musical e o cotidiano das infâncias: uma pesquisa no Curso de Iniciação Artística da EMUFRN-CIART Sousa, Laiany Rodrigues de Gaulke, Tamar Genz http://lattes.cnpq.br/5982489378856158 http://lattes.cnpq.br/5743174259762170 Schultz, Angelita Maria Vander Broock Oliveira, Mário André Wanderley http://lattes.cnpq.br/3051960153236945 Educação musical Musicalização infantil Cotidiano Infância Curso de Iniciação Artística-CIART This research aimed to understand the main influences of everyday elements in the musical learning of students in a 1st year (afternoon) class of the Artistic Initiation Course at the UFRN Music School (CIART). This is a musical initiation course for children from 6 to 9 years old. Classes are taught by monitors (students of the Degree in Music at UFRN). To achieve the proposed objective, we sought to understand the children's cultural contexts; understand how their daily lives are outlined; identify the everyday elements that children brought to the music class; and identify the relationships they build between the musical content and elements worked in the classroom and their daily lives. The research was carried out during a semester with children aged 6 and 7 years old, students of the 1st year (afternoon) class of CIART. This study refers to authors from Sociology, Sociology of Childhood, History, Philosophy and Education, such as Heller (2000), Freire (1996), Sarmento (2003), Gomes (2008), Ariès (2011) and Giddens (2012). The research was developed as an ethnographic case study (MARTUCCI, 2001; MOREIRA, 2002; ANDRÉ, 2005). As for the production and collection of data, these consisted of documentary research, participant observation, production of a field diary, semi-structured interviews in a conversation wheel format and production of drawings with the children, in addition to semi-structured interviews with parents/guardians by the children in the class. Photographs and audio and video recordings were also produced. From the data analysis, it was possible to notice that the children related the contents worked on in music classes to elements of their daily lives outside the classroom. In this way, musical elements were transformed into different things. In addition, they brought their media references and prior knowledge to the music class. In contact with symbols, instruments, sounds and music, memories of objects and facts already known or experienced were raised. In this dialogic movement, the children built their musical learning. When faced with the musical elements and the contents of the classes, they established a connection with their daily experiences, giving new meaning to them and building new knowledge. It was also possible to observe how the children's routine influences the quality of their musical learning. It is considered that this work has relevance for an understanding of the relationship between children's daily lives and practices in music education, bringing reflections on the importance of the music teacher's perspective on the act of listening to children and incorporating their knowledge of life. to the pedagogical process. By identifying the everyday elements that children bring to the classroom and understanding how these aspects influence their musical learning, it is possible to reflect on the teaching-learning process and, based on that, conduct it in a more efficient and appropriate way. to the musical learning of these children. It is also considered that this work can collaborate with the group involved in the research, in order to support the construction of an educational process that is increasingly coherent and meaningful. A presente pesquisa teve como objetivo compreender as principais influências dos elementos do cotidiano na aprendizagem musical dos alunos de uma turma do 1º ano (tarde), do Curso de Iniciação Artística da Escola de Música da UFRN (CIART). Esse é um curso de iniciação musical que atende crianças de seis a nove anos. As aulas são ministradas por monitores (alunos do curso de Licenciatura em Música da UFRN). Para alcançar o objetivo proposto, buscou-se compreender os contextos culturais das crianças; compreender de que forma são delineados os seus cotidianos; identificar os elementos do cotidiano que as crianças traziam para a aula de música; e identificar as relações que elas constroem entre os conteúdos e elementos musicais trabalhados em sala de aula e suas vidas diárias. A pesquisa foi realizada durante um semestre com crianças de seis e sete anos de idade, alunas da turma do 1º ano (tarde) do CIART. Este estudo faz referência a autores e autoras da Sociologia, da Sociologia da Infância, da História, da Filosofia e da Educação, tais como Heller (2000), Freire (1996), Sarmento (2003), Gomes (2008), Ariès (2011) e Giddens (2012). A pesquisa foi desenvolvida como um estudo de caso etnográfico (MARTUCCI, 2001; MOREIRA, 2002; ANDRÉ, 2005). Quanto à produção e à coleta de dados, estas foram compostas por pesquisa documental, observação participante, produção de diário de campo, entrevista semiestruturada em formato de roda de conversa e produção de desenhos com as crianças, além de entrevista semiestruturada com os pais/responsáveis pelas crianças da turma. Também foram produzidas fotografias e gravações de áudio e vídeo. A partir da análise dos dados foi possível perceber que as crianças relacionaram os conteúdos trabalhados nas aulas de música a elementos de suas vidas cotidianas fora da sala de aula. Dessa forma, elementos musicais se transformavam em diversas coisas. Além disso, elas traziam suas referências midiáticas e seus saberes prévios para a aula de música . No contato com símbolos, instrumentos, sonoridades e músicas, as memórias de objetos e de fatos já conhecidos ou vivenciados eram suscitadas. Nesse movimento dialógico, as crianças foram construindo a sua aprendizagem musical. Ao se depararem com os elementos musicais e com os conteúdos das aulas, elas estabeleciam uma conexão com suas vivências cotidianas, ressignificando-os e construindo um novo saber. Também foi possível observar como a rotina das crianças influencia na qualidade da aprendizagem musical delas. Considera-se que este trabalho tenha relevância para uma compreensão da relação entre a vida cotidiana das crianças e as práticas em educação musical, trazendo reflexões sobre a importância do olhar do professor de música para o ato de ouvir as crianças e incorporar seus saberes de vida ao processo pedagógico. Ao identificar os elementos do cotidiano que as crianças trazem para a sala de aula e compreender como estes aspectos influenciam em sua aprendizagem musical, é possível ponderar sobre o processo de ensino-aprendizagem e, a partir disso, conduzi-lo de maneira mais eficiente e adequada à aprendizagem musical destas crianças. Considera-se ainda que esse trabalho possa colaborar com o grupo envolvido na pesquisa, no sentido de dar suporte à construção de um processo educativo cada vez mais coerente e significativo. 2022-04-12T22:51:00Z 2022-04-12T22:51:00Z 2022-01-10 masterThesis SOUSA, Laiany Rodrigues de. A aprendizagem musical e o cotidiano das infâncias: uma pesquisa no Curso de Iniciação Artística da EMUFRN-CIART. 2022. 113f. Dissertação (Mestrado em Música) - Escola de Música, Universidade Federal do Rio Grande do Norte, Natal, 2022. https://repositorio.ufrn.br/handle/123456789/46924 pt_BR Acesso Aberto application/pdf Universidade Federal do Rio Grande do Norte Brasil UFRN PROGRAMA DE PÓS-GRADUAÇÃO EM MÚSICA