Sonata para piano op. 21 de Fábio Neves: um relato de colaboração compositor-intérprete entre um casal de músicos
The present research is an artistic investigation of a collaborative process between composer and interpreter, which had as its final product the performance of the Piano Sonata Op. 21 by Fábio Neves. The act of collaboration is understood here as work that begins with the construction of the first...
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| Formato: | Dissertação |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/46923 |
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| Resumo: | The present research is an artistic investigation of a collaborative process between composer
and interpreter, which had as its final product the performance of the Piano Sonata Op. 21 by
Fábio Neves. The act of collaboration is understood here as work that begins with the
construction of the first compositional gestures, passing through rehearsals and discussions,
until the world premiere of the work. Being the composer's wife, the interpreter/researcher had
previously collaborated with him, but had not yet documented and systematized her actions;
thus, the interest in the theme arose from the need for a systematized study that addresses the
practice of composer-performer collaboration, with the intent of better understanding the role
of the interpreter in partnership with the composer, the possible working methods, and their
practical benefits. For this, the methodology used the autoethnographic method proposed and
adapted by López-Cano and Opazo (2014), along with literature review, data collection, and
pianistic studies. As result, it was observed how the elaboration of the piece and its performance
reflected an open dialogue between the collaborators, with the hope that its collaborative
method may inspire future works of this kind, while also contributing to the documentation of
the composer's work and to the dissemination of Brazilian contemporary piano music. |
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