Poemas dançados: uma leitura antropológica sobre a produção de vídeodanças no grupo Gaya Dança Contemporânea durante a pandemia covid19
This work aims to dialogue dance, technique, and emotions, through an ethnography of the creation process of the show at Group Gaya Contemporary Dance/ UFRN, which operates in the city of Natal / RN. I choose to focus on the development of choreographic works that address existential issues (anguish...
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| Formato: | Dissertação |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Assuntos: | |
| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/46883 |
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| Resumo: | This work aims to dialogue dance, technique, and emotions, through an ethnography of the
creation process of the show at Group Gaya Contemporary Dance/ UFRN, which operates in
the city of Natal / RN. I choose to focus on the development of choreographic works that
address existential issues (anguish, loneliness, fear, joy) and sensory issues (on the part of the
senses: sight, touch, smell, and hearing). Putting emphasis, at this moment, on the
choreographic works presented during the pandemic of COVID-19, dialoguing the aesthetic
dimension that bases the production of contemporary dance, with the technical proposals for
video dance and telematic dance, present in the scenic clippings of Body Isolated, For when
summer arrives and Danced Poems II and III, presented through the YouTube platform, on
the channels of 72nd SBPC Cultural and Gaya Contemporary Dance. Also enriched by a
personal dance practice, this research was born from interpretative and collaborative
anthropology. The proximity to the group placed the researcher at the center of the concerns
of choreographic creation, sharing the joys and sorrows of the bodies affected by the period
established by the pandemic in 2020. As its name suggests, Body Isolated messes with the
emotions and imaginary about the sensations of the body forced to isolate itself socially. For
when the summer arrives and Poems danced II and III, they narrate the discoveries of the
“Self”, in front of the many reflections brought by the moment, under the poetry narration of
Clarice Lispector, in the voice, in the eyes, and the gestures of the interpreter-creators da
Gaya Contemporary Dance. In this group context, I present the bodies that create, improvise,
feel and reflect social issues that inhabit dance gestures in preparation feel and reflect social
issues that inhabit the gestures of dance in the preparation of the video dance series Poemas
Dançados. The bibliography permeates the anthropology of dance, visual and emotions,
drawing a relationship between the anthropologist-dancer and her affectations as a performercreator. |
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