O Vento dos Avoados e os processos de criação em saúde mental: em busca de uma atenção estética
This research aimed to analyze an experimentation process in the field of mental health in composition with the performing arts in its clinical, aesthetic and political dimensions, which became singular with the creation of the cenopoetic collective Vento dos Avoados. The interface of the fields of...
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| Formato: | doctoralThesis |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/45412 |
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| Resumo: | This research aimed to analyze an experimentation process in the field of mental health in
composition with the performing arts in its clinical, aesthetic and political dimensions, which
became singular with the creation of the cenopoetic collective Vento dos Avoados. The
interface of the fields of the arts, the clinical and the madness stands out in the Brazilian
Psychiatric Reform process, highlighting the tendency to recognize the autonomy of the artisticcultural field in relation to the psychiatric field. Thus, we seek to give visibility to an artistic
language and its relationship with the psychosocial clinic. It is a research-intervention of
cartographic inspiration, based on the Philosophy of Difference, on the authors of
deinstitutionalization in mental health and on the theoretical-methodological contributions of
the scenic arts, with an emphasis on Documentary Theater and performance. The research field
consisted of scenic experiment workshops that had people from the Movimento Nacional de
População de Rua do Rio Grande do Norte; users of the Rede de Atenção Psicossocial; members
of the Associação Potiguar Plural; trainee students of the Psychology course at the Universidade
Federal do Rio Grande do Norte; and two performing arts professionals – one of them being
the researcher – as participants. As field records, we present the narratives of the
autobiographical scenic performances created by the collective, the cartographic field diaries
and sixteen narratives transcribed from a scenic exercise recorded on video, in addition to
photographic records made by the researcher and some participants. The analyzes show us that,
when performing their autobiographies, the participants were able to find joyful forgotten
stories that overlapped the tragic narratives of their lives marked by processes of social
exclusion, institutionalization and rights violations. These stories, remembered in their bodies,
produced subjective displacements capable of generating new ways of being in the city, in
public services and in the collectives of which they are part. In this way, they discovered another
place in the city and in the relationship of their bodies in it. The results reveal that the connection
between the fields of mental health, self-fictioned performances and the production of a
psychosocial clinic based on the ethical-aesthetic-political paradigm fostered the creation of the
“aesthetic care” tool-concept. Thus, this research announces a significant contribution from the
field of artistic and scenic language to ways of doing and thinking about the field of mental health in the context of psychosocial interventions, recognizing its importance as a political, ethical, and aesthetic field. |
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