Peripécias do medo: um estudo de narrativas de Guimarães Rosa
In this work, we looked for analysed the aesthetic representation of the fear in João Guimarães Rosa’s narratives. The present work was divided into two parts: the first one corresponds to the examination of the fear that invades childhood's universe in “Campo Geral” and ends with the adult cha...
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Formato: | doctoralThesis |
Idioma: | pt_BR |
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Universidade Federal do Rio Grande do Norte
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Endereço do item: | https://repositorio.ufrn.br/handle/123456789/44887 |
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Resumo: | In this work, we looked for analysed the aesthetic representation of the fear in João
Guimarães Rosa’s narratives. The present work was divided into two parts: the first one
corresponds to the examination of the fear that invades childhood's universe in “Campo
Geral” and ends with the adult character in “Buriti”; the second part comprises an
analysis how fear presents itself into the elderly’s universe in two distinct stories: “A
benfazeja” and “Os chapéus transeuntes”. Therefore, the main objective was analysing
the fear felt or caused by the characters in the narratives, on the perspective of
understanding how it takes hold in the stories and articulates with cultural, historical and
social segments structurally printed on them. Moreover, we seek to understand how the
fear shows itself in the literary language, admitting mystical, religious and philosophical
functions onto the characters, sometimes changing the way they think, how they are
aware of themselves and circumstances in which they live. For the specific study about
fear, the following works were used: Delumeau (2009) in História do medo no ocidente;
Myra y López (2012) in Quatro gigantes da alma: medo, ira, amor, dever and Michel de
Montaigne (2010) in “Sobre o medo”. |
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