Configurações do espaço na literatura de autoria feminina: Maria Judite de Carvalho e Lygia Fagundes Telles
This dissertation presents a comparative study between the literary work of the writers Maria Judite de Carvalho (1921, Lisbon – 1998, Lisbon) and Lygia Fagundes Telles (1923, São Paulo –) and it aims at analyzing how the social space of female authorship is defined in the Portuguese-Brazilian liter...
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Formato: | doctoralThesis |
Idioma: | pt_BR |
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Universidade Federal do Rio Grande do Norte
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Endereço do item: | https://repositorio.ufrn.br/handle/123456789/44617 |
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Resumo: | This dissertation presents a comparative study between the literary work of the writers
Maria Judite de Carvalho (1921, Lisbon – 1998, Lisbon) and Lygia Fagundes Telles
(1923, São Paulo –) and it aims at analyzing how the social space of female authorship
is defined in the Portuguese-Brazilian literary field and how the narrative spaces are
constructed in the short stories “Além do Quadro” and “As Palavras Poupadas”, by the
Portuguese author, “Venha Ver o Pôr do Sol” and “Noturno Amarelo”, by the Brazilian
writer, respectively. Therefore, this work was structured from two theoreticalmethodological axes: the first one, based on Pierre Bourdieu (1996, 2003, 2012, 2015)
and the ideas of the literary field and habitus, examines, from a sociological
perspective, the trajectory of female authorship in heterogeneous contexts in order to
understand the way in which Carvalho and Telles interpreted the period they lived as
well as how such writers attained a place of consolidation in the Portuguese-Brazilian
literary field. The second perspective of analysis focuses on the construction of space
as a narrative category, as it seeks to examine how heterotopic spaces, according to
Michel Foucault ([1967] 2001), are represented. Therefore, heterotopic places such as
sanatoriums, asylums, cemeteries, mirrors, and gardens were studied, taking the
relations between space and symbolic power in confrontation with the female bodiesspaces depicted in aforementioned short stories into consideration. Moreover, for the
bodies of the female characters looked into this research are also viewed as
heterotopies, some typologies were drawn in order to understand issues related to the
symbolic violence that androcentric power imposes on women's body-space, for
instance: ill body-space, unruly body-space, docile body-space, orphan body-space,
objectified body-space, captive body-space, and guilty body-space. Through the
analysis, it was thus observed that the spaces represented in the Juditian and Lygian
narratives resound the context of oppression towards the female subject, once they
are counter spaces that, when placed with the symbolic, translate fear and insecurity,
silence and loneliness, as well as the precise anguish of women’s scripture. |
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