A Representação do espaço fílmico-dramatúrgico em um bonde chamado desejo
This undergraduate final project is the result of an analysis of the use of space in dramaturgy and its possible relations with the film narrative space. For this purpose, the play Um Bonde Chamado Desejo (Tennessee Williams, 1947) and its first film version Uma Rua Chamada Pecado (Elia Kazan, 1951)...
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| Aineistotyyppi: | bachelorThesis |
| Kieli: | pt_BR |
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Universidade Federal do Rio Grande do Norte
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| Linkit: | https://repositorio.ufrn.br/handle/123456789/38523 |
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| Yhteenveto: | This undergraduate final project is the result of an analysis of the use of space in dramaturgy and its possible relations with the film narrative space. For this purpose, the play Um Bonde Chamado Desejo (Tennessee Williams, 1947) and its first film version Uma Rua Chamada Pecado (Elia Kazan, 1951) were analyzed. Among the possibilities of reading about these works, we highlight the examination of the construction of the environment in which the characters are inserted, opening possibilities of understanding on the poetic, symbolic, and interdiscursive matrices that cross both narrative spaces. |
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