Travestindo o teatro: uma perspectiva sobre representatividade do corpo trans na cena
This work deals with the experiences and discoveries of Geisla Blanco as a transgender performer in the undergraduate course in Theater, seeking to emphasize the systematic cis normative, highlighting art as a process of transition and elaboration of genres within and outside the Degree Course in Th...
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| Formato: | bachelorThesis |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/38457 |
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| Resumo: | This work deals with the experiences and discoveries of Geisla Blanco as a transgender performer in the undergraduate course in Theater, seeking to emphasize the systematic cis normative, highlighting art as a process of transition and elaboration of genres within and outside the Degree Course in Theater at the Federal University of Rio Grande do Norte. Starting from the process as a central issue, in order to better understand the gender and sexuality arrangements in the scenic art, the research brings a memorialized approach, going through a brief historical introduction about the “transvestites” and from the experiments already carried out during the graduation, drinking from experiences like the performance extract “Made to bleed” presented in 2017.2 in the discipline Performance study and “Stop killing us” presented in 2018.1 in the discipline Aesthetics II, which address issues about violence against transvestites and transsexuals and permeate the universe of human existence of these bodies that transgress the gender dichotomy. Merging with other moments experienced by the artist, the research is a hodgepodge of possibilities based on the ambiguities that arise in the making of theater and performance, it is a manifesto about trans lives. |
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