O teatro ensandecido de Jan Fabre

The present study aims to understand the metamorphosis suffered in theater from the perspective of productions of Belgian artist Jan Fabre. Understanding that Performative Theater would be this place between the theater and the performance, where one realizes on the other the germination ability. It...

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Detalhes bibliográficos
Autor principal: Freitas, Wallace José de Oliveira
Outros Autores: Ciotti, Naira Neide
Formato: bachelorThesis
Idioma:pt_BR
Publicado em: Universidade Federal do Rio Grande do Norte
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Endereço do item:https://repositorio.ufrn.br/handle/123456789/38441
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Resumo:The present study aims to understand the metamorphosis suffered in theater from the perspective of productions of Belgian artist Jan Fabre. Understanding that Performative Theater would be this place between the theater and the performance, where one realizes on the other the germination ability. It’s the intention to introduce this artist and use his work The Power of Theatrical Madness as a base for I can dismember the features of Jan Fabre’s artwork. The Power of Theatrical Madness is a specific work, however its critical analysis turns out to reveal Fabre’s modus operandi as a whole. I notice this study was only the precursor of a research, which will grow up and germinate through the dialogues already achieved with the Troubelyn (Jan Fabre´s group) and it will produce exchanges, specially, in the understanding that the borders between arts less and less will be broken.