"O que vem da rua": cidade, patrimônio e pichação em Fortaleza nos anos 1990
The following research analyses grafitti in Fortaleza city in the 1990s. The investigation dedicates itself not only to the notes on the walls, but also explores graffiti developing the relationship among subject, city, groups and specialities. Furthermore, we comprehend that the city was not only t...
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| Natura: | Dissertação |
| Lingua: | pt_BR |
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Universidade Federal do Rio Grande do Norte
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| Accesso online: | https://repositorio.ufrn.br/handle/123456789/33344 |
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| Riassunto: | The following research analyses grafitti in Fortaleza city in the 1990s. The investigation
dedicates itself not only to the notes on the walls, but also explores graffiti developing the
relationship among subject, city, groups and specialities. Furthermore, we comprehend
that the city was not only the support on which graffiti was executed, but as a constitutive
element that belonged to the city. The graffiti produced, from already defined and posted
location, another form of space appropriation. Thus, having their own places of
socialization and memory within a city in which various proposals and formulation of the
city were inserted, with neoliberal policies being undertaken in the 1990s. It is part of this
investigation how the subjects operationalized their practice as a group. To this end, their
speeches, ideas and ideals were analyzed - through interviews with graffiti artists of the
time - about making graffiti and what the city meant for the graffiti artists.Seeking to
highlight the historical background of graffiti, this work is composed of the perception of
non-graffiters, city dwellers, and the periodicals are the source of this dialogue. The
newspaper O Povo was one of the main sources for this research, as Caderno de Cidades
proposed a dialogue with the daily life of the city and its readers. As methodology for this
research we also used oral history, through interviews with ex graffiti artists of the city.
This research approaches graffiti as a political action and producer of spatialities that
evidenced a form of belonging and meaning of the city, being central to how the city is
not only the backdrop of events, but a central element to the practice of its subjects, who
gave meaning to the city in different ways in the appropriation of spaces. |
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