Aurita: uma persona em desmontagem contínua
This research refers to the process of continuous disassembly of the original work Bálsamo, created as an object of graduation research, considering the crossing that occurs before the personality that presents itself and that leads to subjectivity in performance. It discusses how the performance...
Na minha lista:
| Autor principal: | |
|---|---|
| Outros Autores: | |
| Formato: | Dissertação |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
|
| Assuntos: | |
| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/32825 |
| Tags: |
Adicionar Tag
Sem tags, seja o primeiro a adicionar uma tag!
|
| Resumo: | This research refers to the process of continuous disassembly of the original work Bálsamo,
created as an object of graduation research, considering the crossing that occurs before the
personality that presents itself and that leads to subjectivity in performance. It discusses how
the performance prints a specific transgression in the face of reality, changing the perspective
of space and time. For this, the creation process is analyzed using the metaphor of the different
states of swallowing a beet, in order to experience the persona Aurita and its infinite forms. The
general objective of the work aims to investigate the transformation process that persona Aurita
goes through, in an attempt to perceive the pains and affections that surround women, through
adynamic of family narratives linked to violence and trauma. The research shows the
persistence of attitudes that discriminate or reject the idea of equal rights between men and
women, still prevalent in society. Scenic disassembly is presented as an engine for incessant
creation, multiplying possibilities, transforming the artistic process into a kind of
“establishment”, a creative state that remains in constant dismantling and expresses
metamorphoses of the “persona”, which remains fluid, free and exposed to new possibilities of
creation. |
|---|