Um mar de vento e um vento de mar: ressonâncias e repercussões das imagens poéticas de Gilberto Avelino
The present work aims to read the images of the sea and the winds in Gilberto Avelino's poetry, presenting the resonances and repercussions of these images. I position myself as a reader/creator, who, driven by poetic reverie, builds images / memories. As specific objectives, I intend to und...
Na minha lista:
| Autor principal: | |
|---|---|
| Outros Autores: | |
| Formato: | doctoralThesis |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
|
| Assuntos: | |
| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/31950 |
| Tags: |
Adicionar Tag
Sem tags, seja o primeiro a adicionar uma tag!
|
| Resumo: | The present work aims to read the images of the sea and the winds in Gilberto Avelino's poetry,
presenting the resonances and repercussions of these images. I position myself as a
reader/creator, who, driven by poetic reverie, builds images / memories. As specific objectives,
I intend to understand what the elements water and air represent in the work of the poet from
Rio Grande do Norte, establishing a dialogue between his poetry and the poetic philosophy of
Gaston Bachelard. I use as a theoretical and methodological contribution the two perspectives
that constitute the poetic imagination developed by the French philosopher: the material
imagination of the four elements and the phenomenology of the imagination - conceptions that
a priori can be perceived as different, as ruptures, but which are understood here as
complementary. I also discuss homo poeticus, the poetic soul, a way of being, imagining and
relating to the world. This work is based epistemologically on the Complex Thought developed
by Edgar Morin, since it proves to be the most appropriate one to deal with the poetic being and
poetic images. In addition to that, this research has a bibliographic character and a
hermeneutical methodological approach to interpretation, not in the sense of finding “the truth”
of the text, what is hidden in it or what is found behind Gilberto Avelino's poems. What I’m
interested in is what he makes me think; what his writing makes me imagine; dreams, reverie,
images that arise from the encounter between the self and the text. What I’m interested in are
the resonances and repercussions of poetic images. Research enabled me to daydream about
reading (BACHELARD, 2009), where the poet’s daydreams led me to my own daydreams. |
|---|