Grupo Ninho de Teatro, experiências e usos táticos na produção e na gestão em teatro de grupo no Cariri cearense
Composing an understanding of the practices of Grupo Ninho de Teatro, based on a certain understanding of experience (LARROSA AND BENJAMIN), and through my location as the subject and object of this research, which uses Oral History as methodology (PORTELLI), I elaborate a construction which arti...
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| Formato: | Dissertação |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/31751 |
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| Resumo: | Composing an understanding of the practices of Grupo Ninho de Teatro, based on a
certain understanding of experience (LARROSA AND BENJAMIN), and through my
location as the subject and object of this research, which uses Oral History as
methodology (PORTELLI), I elaborate a construction which articulates knowledge and
doing in production and theatrical management, from the perspective of group theater
practices in dialogue with the authors Flávia Janiaski, Rosyane Trotta, Samanta
Cohen, Danilo Castro and others. Based on the twelve-year trajectory of the Ninho de
Teatro Group and the Casa Ninho space, in the city of Crato / Ceará, Cariri region, I
reflect on the tactical procedures (CERTEAU) that the group has been practicing to
maintain their group's socio-political-aesthetic project. For that, the group's daily life is
revealed, showing how the group finds ways to manage and produce the maintenance
of its repertoire, projects and artistic headquarters in the field of group theater. In this
field of studies, I approach the authors Romulo Avelar, Teixeira Coelho, Maria Helena
Cunha. Therefore, the object of this research focuses on group theater based on the
Ninho de Teatro Group and its way of producing and managing. The objective of this
research is to contribute, from a given point of view, to the registration of methods and
ways of producing and managing a group project considering its own tactics. I also
seek to collaborate for contemporary studies of the history of theater in Ceará. |
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