Dança, residências artísticas e composição em tempo real
The words that are now being read, presented as a performative dissertation, are placed here as an extension of a dancing body. They pose themselves as a performative tool that recalls / remembers / that brings up, once again, the artist's encounters, crossings and artistic crossings. Its gener...
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| Formato: | Dissertação |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/30786 |
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| Resumo: | The words that are now being read, presented as a performative dissertation, are placed here as an extension of a dancing body. They pose themselves as a performative tool that recalls / remembers / that brings up, once again, the artist's encounters, crossings and artistic crossings. Its general purpose is to insert the reader in the context of a continuous movement research, making him an experimenter and an accomplice in this
journey. It is the rhizomatic exacerbation of four creative processes originated by the confluence between the experiences of an artistic residency with the dialogue of this artist with the techniques of composition in real time in dance. Such concepts are presented as the conducting threads of this research, but at the same time they are related to other concepts equally relevant to the artist's production, performative practices and collectivized experiences. In order to baste these textual movements, the artist's performative writing is the guiding thread used by an independent artist with a transdisciplinary background in design, which uses black words, written under the yellow background, in a set of two hundred pages, written mostly. in the Avenir Next
font, size ten, sometimes justified. |
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