O passado no chão do presente em Caetés, São Bernardo e Angústia
This research aims to analyze the characters João Valério, Paulo Honório and Luís da Silva, from the respective books Caetés (1933), São Bernardo (1934) and Angústia (1936), by Graciliano Ramos, before the remembrance process that the narrators, in the first person, conduct. These are, therefore,...
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| Formato: | doctoralThesis |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/handle/123456789/30406 |
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| Resumo: | This research aims to analyze the characters João Valério, Paulo Honório and Luís da
Silva, from the respective books Caetés (1933), São Bernardo (1934) and Angústia
(1936), by Graciliano Ramos, before the remembrance process that the narrators, in
the first person, conduct. These are, therefore, characters who tell their past. So,
this bibliographic and inductive research is based on the theoretical formulations of
memory and trace according to Plato (2001), Aristotle (1962), Ricœur (2007), Todorov
(2000), Bergson (1991), Halbwachs (1990), Bosi (1994), Benjamin (2006; 2012a;
2012b), among others. Such readings indicate that memories are made up of images
according to who seeks them, which points to their dynamic, to the tracks impregnated
in the soul and, expressly, to the constitutive trait of selection of memory. Based on
these discussions and according to the analyzes undertaken in this research, we say that
the characters and their studied remembrance processes go through different strands
because of their singularities of the past, which differ even in the narrated periods of
time, but intertwine at the same step which converge on a past from which the
irremediable feelings of anguish and failure exasperate the present of the bookkeeper,
the farmer and the civil servant. The characters, Luísa, Madalena and Marina, are aware
of the injustice of the world due to the inferior social condition in which they find
themselves and which lead them to deeper questions about existence from their looks
at the past. The life stories narrated by each of them go through complicated love
relationships from which it is possible to elucidate the paths taken to feel, in the present,
the inner disarray of a loser. |
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