O sertão imaginado nas Bachianas Brasileiras de Heitor Villa-Lobos
Considering the influence of popular and folk music in the Bachianas Brasileiras Series by Heitor Villa-Lobos (1887-1959), the thesis brings a reflective perspective on the northeastern Sertão. The Bachianas Series is a musical work, which in its structure, refers to the music Johann Sebastian Ba...
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| Formato: | doctoralThesis |
| Idioma: | pt_BR |
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Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/30112 |
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| Resumo: | Considering the influence of popular and folk music in the Bachianas Brasileiras
Series by Heitor Villa-Lobos (1887-1959), the thesis brings a reflective perspective on the
northeastern Sertão. The Bachianas Series is a musical work, which in its structure, refers to
the music Johann Sebastian Bach (1685-1750), therefore ‘bachianas’. In it, each suite merges
in its own way with Brazilian folk and popular music, especially the Choro style and country
music (NÓBREGA, 1971; KIEFER, 1997; CALDAS, 2010). For the research, four pieces of
the Series were examined: Introduction Embolada, Dance Lembrança do Sertão, Choir Canto
do Sertão and Aria Cantiga, called Bachianas Sertanejas. From them, we investigated the
historical and cultural influence (HOLANDA, 1982; ORTIZ, 2006; ALBUQUERQUE,
2011), which led the composer to insert rhythms and melodies characteristic of the region,
such as Baião and the popular song “Ó mana deix’eu ir…”, in order to understand his
imaginary elaboration of the region. And, considering the problem of northeasternity and
regionality (ANDRADE, 1989; CASCUDO, 2000) present in the work, the research was
developed under the approaches of language itself, as language of things and man
(BENJAMIM, 2011) and exercise sociological (MILLS, 1996), to ‘look’ or ‘listen’ to a
musical work and its possibilities and social connections. And also, from a musicological
perspective, which considers how external characteristics are internalized and acquire other
meanings in the interpretation, either as it leads or as it transforms (KERMAN, 2011; LOPES,
2014). Thus, the pieces of the Bachianas Brasileiras Series were analyzed in order to raise
reflections on another look at the region through musical language. |
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