La dualidad sagrado/profano en Gonzalo de Berceo

Gonzalo de Berceo was a great admirer of the figure of Mary, so one of his most remarkable works is entitled “Los Milagros de Nuestra Señora”. From his life experience in the San Millán Monastery in the thirteenth century, the poet and cleric Gonzalo de Berceo - with both religious and intellectual...

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Autor principal: Lima, Samuel Anderson de Oliveira
Formato: article
Idioma:Spanish / Castilian
Publicado em: Revista Signum
Assuntos:
Milagros de Nuestra Señora
Gonzalo de Berceo
Literatura medieval
Endereço do item:https://repositorio.ufrn.br/jspui/handle/123456789/30083
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spelling ri-123456789-300832020-09-20T07:49:47Z La dualidad sagrado/profano en Gonzalo de Berceo La dualidad sagrado/profano en Gonzalo de Berceo Lima, Samuel Anderson de Oliveira Milagros de Nuestra Señora Gonzalo de Berceo Literatura medieval Gonzalo de Berceo was a great admirer of the figure of Mary, so one of his most remarkable works is entitled “Los Milagros de Nuestra Señora”. From his life experience in the San Millán Monastery in the thirteenth century, the poet and cleric Gonzalo de Berceo - with both religious and intellectual roles - presents to the reader a work filled with features from his own time. Therefore, this study aims to analyze the characteristics that identify the sacred and the profane in the narrative “El ladrón devoto” and “La boda y la Virgen”. This narrative addresses the figure of the Lady that behaves both as a woman with mundane feelings and as a virgin, that works miracles to save humanity. The dialectical play between the sacred and profane was widespread in the Middle Ages and it influenced the baroque style many centuries later. Gonzalo de Berceo fue un apasionado por la figura de María, tanto que una de sus obras más emblemáticas es “Los Milagros de Nuestra Señora”. Desde el Monasterio de San Millán, en la Rioja, en el siglo XIII, el clérigo y poeta Gonzalo de Berceo, con función al mismo tiempo religiosa e intelectual, trae al público lector una obra cargada de rasgos propios de su época. Este texto tiene como objetivo principal analizar los rasgos que identifiquen lo sagrado y lo profano en los relatos “El ladrón devoto” e “La boda y la Virgen”. En ellos, la Señora a veces tiene características de una mujer con sentimientos mundanos, otras, se comporta como la Virgen Madre (la santa) que hace milagros para salvar a los hombres. Afirmamos, además, que el juego dialéctico sagrado/profano era muy común en la Edad Media y tendrá influencia significativa muchos siglos después en el Barroco. 2020-09-16T15:35:24Z 2020-09-16T15:35:24Z 2018 article LIMA, Samuel Anderson de Oliveira. La dualidad sagrado/profano en Gonzalo de Berceo. Revista Signum, v. 19, n. 2, p. 91-115, 2018. Disponível em: http://www.abrem.org.br/revistas/index.php/signum/article/view/405 . Acesso em: 16 set. 2020. 2177-7306 https://repositorio.ufrn.br/jspui/handle/123456789/30083 es application/pdf Revista Signum
institution Repositório Institucional
collection RI - UFRN
language Spanish / Castilian
topic Milagros de Nuestra Señora
Gonzalo de Berceo
Literatura medieval
spellingShingle Milagros de Nuestra Señora
Gonzalo de Berceo
Literatura medieval
Lima, Samuel Anderson de Oliveira
La dualidad sagrado/profano en Gonzalo de Berceo
description Gonzalo de Berceo was a great admirer of the figure of Mary, so one of his most remarkable works is entitled “Los Milagros de Nuestra Señora”. From his life experience in the San Millán Monastery in the thirteenth century, the poet and cleric Gonzalo de Berceo - with both religious and intellectual roles - presents to the reader a work filled with features from his own time. Therefore, this study aims to analyze the characteristics that identify the sacred and the profane in the narrative “El ladrón devoto” and “La boda y la Virgen”. This narrative addresses the figure of the Lady that behaves both as a woman with mundane feelings and as a virgin, that works miracles to save humanity. The dialectical play between the sacred and profane was widespread in the Middle Ages and it influenced the baroque style many centuries later.
format article
author Lima, Samuel Anderson de Oliveira
author_facet Lima, Samuel Anderson de Oliveira
author_sort Lima, Samuel Anderson de Oliveira
title La dualidad sagrado/profano en Gonzalo de Berceo
title_short La dualidad sagrado/profano en Gonzalo de Berceo
title_full La dualidad sagrado/profano en Gonzalo de Berceo
title_fullStr La dualidad sagrado/profano en Gonzalo de Berceo
title_full_unstemmed La dualidad sagrado/profano en Gonzalo de Berceo
title_sort la dualidad sagrado/profano en gonzalo de berceo
publisher Revista Signum
publishDate 2020
url https://repositorio.ufrn.br/jspui/handle/123456789/30083
work_keys_str_mv AT limasamuelandersondeoliveira ladualidadsagradoprofanoengonzalodeberceo
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