O corpo com deficiência física e a intercorporeidade no cinema: uma abordagem fenomenológica
The thesis addresses the body with physical disability, highlighting intercorporeality through the art of filmmaking in a phenomenological approach. We believe that the movie experience can mobilize the viewer's gaze in order to relearn how to see the world, resigning knowledge, feelings, va...
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| Formato: | doctoralThesis |
| Idioma: | pt_BR |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Assuntos: | |
| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/29671 |
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| Resumo: | The thesis addresses the body with physical disability, highlighting
intercorporeality through the art of filmmaking in a phenomenological approach.
We believe that the movie experience can mobilize the viewer's gaze in order to
relearn how to see the world, resigning knowledge, feelings, values and attitudes
from the coexistence with others - the latter, in turn, represented by the characters
of the film in its otherness. The notion of body, affectivity and intercorporeality
proposed by the philosopher Maurice Merleau-Ponty (1908-1961) helps us in the
interpretation of film images, especially in understanding the experiences lived by
the characters. These experiences, described in the research in the form of
images and scene descriptions, consider affectivity not as a mosaic of sensations
or feelings, but as the way in which we affect and are affected. In this way, things,
people, feelings, situations and places make sense to us, gain meaning in the
context of our existence and mobilize the sharing of subjective and
intersubjective, historical, social and cultural senses. Movies present this
potentiality to set us in motion, to dislocate and amplify our perception of
phenomena by means of intercorporeality, the possibility that the human body
has of interposing itself before the world; since it is made of the same upholstery
as the body of the world. In this context, we highlight the objectives of the
research: to perceive other ways of seeing, thinking and being a body with
physical disability through film characters; to understand intercorporeality in
affective and social relationships through cinematographic works; to analyze film
images that approach the physical disability as a way to expand the
understanding of the human body beyond the biological or medical aspect
through the notion of intercorporeality. In the research process, we elaborated
sheets of analysis of the films that, together with the experience of exhibition of
discussion of films, in the Project of Cinestesia Extension, of the Federal
University of Rio Grande do Norte, contributes to the process of
phenomenological reduction of the research; as well as to the initial and
continued formation in several areas of knowledge. In the research process, the
appreciation of cinematographic works with the theme of the physically
handicapped person was considered emblematic for the study of
phenomenological notions of the body, including intercorporeality: The Elephant
Man, Extraordinary, Rust and Bone, The Scuba and the Butterfly, My Left Foot,
As I was before you and Untouchables. We recognize in the film images relevant
aspects to understand the intercorporeality of people with physical disabilities as
a possibility to re-read to see the world in our human and existential condition.
Thus, the body with physical disability is not reduced to an anatomical or
physiological deformation, but presents itself as a form of subjectivity that puts
into motion our way of being and being in the world in synergy with others. |
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