Portfólio expandido: (performance) agah precária (afetada)
This expanded portfolio sought to understand the performances created by me as someone who escapes the truths of a heterocentric world that inscribes bodies in biological determinations (BUTLER, 1990). Performance art was the method used in this research, as it can trigger affections between...
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| Outros Autores: | |
| Formato: | Dissertação |
| Idioma: | pt_BR |
| Publicado em: |
Brasil
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| Assuntos: | |
| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/29223 |
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| Resumo: | This expanded portfolio sought to
understand the performances created by
me as someone who escapes the truths of
a heterocentric world that inscribes bodies
in biological determinations (BUTLER,
1990). Performance art was the method
used in this research, as it can trigger
affections between the singular and the
plural and be able to promote crises in the
affective circuits (SAFATLE, 2016) already
established in society, albeit temporarily.
A critical issue in this research was to
expose the confluence between art and
academic writing. We also face the problem
of authorship in the production of Agah
Precária when the performer writes about
his presence and navigates the identities
of other artists looking for practices that
delve into subjective poetics. This research
concludes that performances can be
designed. |
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