Contribuição da vivência na roda de choro para a formação do músico instrumentista
The objective of this work is to study the contribution of the experience in the Roda de Choro to the formation of the popular Brazilian musician in line with the author's academic-artistic professional practice. A qualitative research was conducted to identify and understand important aspec...
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| Formato: | Dissertação |
| Idioma: | pt_BR |
| Publicado em: |
Brasil
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/28740 |
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| Resumo: | The objective of this work is to study the contribution of the experience in the Roda de Choro
to the formation of the popular Brazilian musician in line with the author's academic-artistic
professional practice. A qualitative research was conducted to identify and understand
important aspects of Rodas de Choro based on the oral transmission to obtain significant
performance. The contextualization with authors, teachers and interviewed nationally renowned
performers allowed identifying specific characteristics inherent to the collective practices of the
Rodas de Choro, and their contribution to the training of the professional musician. The study
highlights the importance of the activity of the collaborator solo performer who, when
performing the solo, assists accompanying musicians in the formation and expansion of the
repertoire. The instrumental perception, from its practice with media devices to its application
in the Roda de Choro, is highlighted in this contributory approach, alongside the transcription
action as a full audio transcriptionist. |
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