Soraia Queimada, filha da violência: o corpo descolonizado no teatro show de drag queen
This work brings the unfolding of researches of a scene artist who looks over his own creation process, investigating it and analyzing it critically. Through the drag queen character Soraia Queimada, a queer-black-peripheral body, is created a caricature of aspects of Brazilian society of the sec...
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Formato: | Dissertação |
Idioma: | pt_BR |
Publicado em: |
Brasil
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Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/28160 |
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Resumo: | This work brings the unfolding of researches of a scene artist who looks over
his own creation process, investigating it and analyzing it critically. Through the
drag queen character Soraia Queimada, a queer-black-peripheral body, is
created a caricature of aspects of Brazilian society of the second decade of the
twenty-first century, deeply marked by violence. Soraia Queimada stars in a
show theater, structured from some aspects present in the Theater of Magazine, by which the researcher investigates the creation of a decolonized body in a scene, that operates independently of the colonizing model of the male - white - cis sex - heterosexual body. This work is a sharing of reflections and unfolding of a laboratory research of construction of a decolonized scene and body. |
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