Coletivo de Teatro Bárbara Idade: engendramentos feministas na cena da mulher senescente
This dissertation takes a look at the pedagogical and scenic aspects developed with the Coletivo de Teatro Bárbara Idade, a group of elderly students, here named senescente (in a state of aging), and formed from the theater courses for third age of SESC SANTO AMARO / PE. Based on research on the...
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| Formato: | Dissertação |
| Idioma: | pt_BR |
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Brasil
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/27817 |
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| Resumo: | This dissertation takes a look at the pedagogical and scenic aspects developed with the
Coletivo de Teatro Bárbara Idade, a group of elderly students, here named senescente
(in a state of aging), and formed from the theater courses for third age of SESC SANTO
AMARO / PE. Based on research on the creation processes and the collective shows
since 2005, we have approached the transits of the group regarding the hybridism of
languages between theater, literature, visual arts and performance, especially the
presence of personal stories in the scene , dialoguing with the creative ways of the
artists-researchers: Luciana Lyra (2011; 2013; 2015),, Emanuel de Jesus (2016) and
Vivi Téllas (apud DOURADO, 2017). In this plot between the scene and creative
pedagogies, we end up with a feminist approach to the stage intersecting with Márcia
Tiburi (2018), Djamila Ribeiro (2017), Chimamanda Adíchie (2016) and Margareth
Rago (1998). |
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