A brasilidade... nordestina em Catimbó, de Ascenso Ferreira e no livro de Poemas, de Jorge Fernandes
The present study analyzes the theme: From Brazilianism under the tradition of rupture (Octávio Paz) in the Modernism of the 1920s and as translated in the book of poems Catimbó, by Ascenso Ferreira (1927) considered by Mário de Andrade (1928) More original to the Brazilian modernism of that deca...
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| Formato: | Dissertação |
| Idioma: | pt_BR |
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Brasil
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/27775 |
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| Resumo: | The present study analyzes the theme: From Brazilianism under the tradition of
rupture (Octávio Paz) in the Modernism of the 1920s and as translated in the book of
poems Catimbó, by Ascenso Ferreira (1927) considered by Mário de Andrade (1928)
More original to the Brazilian modernism of that decade. This work is set in the 20's
of the last century, when the conceptual guidelines of modernism and regionalism
find a propitious ground for the creation of modern Brazilian poetry in a conjunction of
elements in which the various components of the national culture are present, giving
Highlight those who represent the universe of Brazilian tradition, nationalism and
popular culture. In this sense, the literary production of Ascenso Ferreira finds in
popular culture, orality and tradition the traits that compose this poetry, being limited
to music, whose sonority refers to the touches of the Afro-Brazilian origin maracatus
syncretized to the Amerindian and Christian elements. Themes that refer to the
expressions of local culture, but also to the universalism of human feelings and pain
interspersed by the voices of the community. For Azevedo (1984), the poet Ascenso
Ferreira created the "Brazilian ... Northeastern". Thus, the study has as theoretical
contribution the work developed by Cândido (1995), Azevedo (1984), Araújo (1995),
Andrade (1979), Perrone-Moisés (2007) and Ferreira (2008), whose analyzes serve
to Understanding of the emblematic decade of the 20th, a foundation of the changes
that have taken place in the Brazilian cultural scene in the following decades. An
intersection between the poetry of Pernambuco with Clã do Jabuti (1927) by Mário
de Andrade and Jorge Fernandes Book of Poems (1927), both launched in the same
year and focused on the question of Brazilidade. |
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