Arquitetura portuguesa: da Escola do Porto à Escola do Siza
The production of the modernist movement in Portugal took place in singular path of a resistance posture to models pre-conceived. Well-know Porto’s School and recognized from the decade of 1950, was a movement that produced echoes identified on the architectural productions up to the Portuguese u...
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Formato: | Dissertação |
Idioma: | pt_BR |
Publicado em: |
Brasil
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Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/27292 |
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Resumo: | The production of the modernist movement in Portugal took place in singular path
of a resistance posture to models pre-conceived. Well-know Porto’s School and
recognized from the decade of 1950, was a movement that produced echoes
identified on the architectural productions up to the Portuguese until the present
time. Among other characteristics, it shows harmony as a requeriment of project
between the plot of the building and the surrounding pré-existent, providing better
quality of use, comfort and esthetic beauty of the space in the city. Focused in
the Portuguese architecture, the study starts from the contribution of the main
exponents of the movement: Fernando Távora, Álvaro Siza Vieira and Eduardo
Souto de Moura, which, in his work, ally the innovations of the modernist
movement with the respected necessity to the traditions of the town, his
materiality and the context of the new constructions regarding the urbane city préexistent. So, there will be presented the historical trajectory of the roots of the
contemporary architecture in Portugal, from the decade of 1930, with the analysis
of the intellectual production and projetual of the architects Carlos Ramos and
Fernando Távora, up to the present. Next, a group of contemporary architects will
be presented, composed for: John Carrilho da Graça; the brothers Manuel and
Francisco Nuno Aires Mateus; the brothers Nuno and José Mateus (office ARX);
and Nuno Brandão Costa, whom shows echoes of this trajectory in his
production, for analysis of aspects of his formation and professional trajectory,
like professional experience and architectural language adopted in his works.
Then, this study will make a appreciation of contemporary buildings, located in
Portugal and conceived by this group, above several aspects, such as: his
insertion in the city, ways of use and his process of conception. For that, it will be
necessary to understand different aspects of this space, how it will identify in
which form the adjacent public space to iconic’s buildings contributes to give
distinction or order that pré-existent minimizes the visual impact of the
construction before those elements, considering still the necessity of looking, in
the speech of the authors of the works, how was the concern about the space
around the building on the context in the process of the project as a whole piece.
Lastly, this study aims to contributes to the analysis of the quality of the public’s
projects connected to contemporary buildings in the cities, for to the production
of a cohesive urbanity. |
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