Estratégias de desenvolvimento da embocadura, técnica e preparação para performance do trompetista: um estudo autobiográfico considerando o uso do aparelho ortodôntico fixo
The present work deals with an autobiographical study in which an interdisciplinary relationship between the Pedagogy of Instrumental Performance and the Health Sciences is exposed, in this case, Dentistry. By looking at the best understanding of this conjuncture, this research is based on the me...
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| Formato: | Dissertação |
| Idioma: | pt_BR |
| Publicado em: |
Brasil
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/26723 |
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| Resumo: | The present work deals with an autobiographical study in which an interdisciplinary
relationship between the Pedagogy of Instrumental Performance and the Health
Sciences is exposed, in this case, Dentistry. By looking at the best understanding of
this conjuncture, this research is based on the methodological representation of a
triangulation of data collection, contemplating respectively three pillars, which in turn,
develop the three chapters of this dissertation, to know: a literature review of the
technical and orthodontic aspects concerning embouchure: an autobiographical
account of the processes of adaptation and development of the trumpet embouchure
at the expense of the use of the fixed orthodontic appliance; an analytical and
evaluative approach to technical-instrumental performance. With this, we aim to bring
the point of view of practice and instrumental performance, presenting the influences
that the use of the fixed orthodontic appliance could infer in the development of the
mouth, technique and preparation for the performance of the trumpet player in
question, besides the methodological alternatives found to deal with this circumstance
and the results obtained during the experience lived by the object of this study. Thus,
observing the use of the orthodontic appliance, with this experience, some basic
problems related to the functioning of the muscles of the face that, by being directly in
contact with the mechanisms of this apparatus, end up harming the work performed by
the mouth, as well as the use of the technique in its instrumental performance. |
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