Estética impressionista na obra de Anna de Noailles
The correspondence between literature and painting always has been treated by the history of art, but the relationship of these two artistic expressions evolves with the creation of the Royal Academy of Painting and Sculpture in the seventeenth century, when painting begins its period of autonomy...
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Estética impressionista Impressionismo pictórico Literatura Pintura CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
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Estética impressionista Impressionismo pictórico Literatura Pintura CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA Andrade, Gilmara Viviane Castor de Estética impressionista na obra de Anna de Noailles |
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The correspondence between literature and painting always has been treated by the
history of art, but the relationship of these two artistic expressions evolves with the
creation of the Royal Academy of Painting and Sculpture in the seventeenth century,
when painting begins its period of autonomy of literature. But it is in the nineteenth
century that the closeness between artists and writers strengthen the links between
the arts. The admiration of writers for painting, motivates them to seek innovation for
poetry. However, it is the modern poets of the twentieth century who, like the
painting, revolutionize the form of poetry. The present study, entitled impressionist
aesthetics in the work of Anna de Noailles, is circumscribed during this period of
transition between the nineteenth and early twentieth centuries, and has as its object
the poetic work Les Éblouissements (1907), by Anna de Noailles (1876-1933). The
objective of the research is to analyze the traces of pictorial Impressionism in the
poetry of Noailles. For this, we performed a comparative study between poetry and
painting, in order to identify pictorial aspects of the Impressionist movement in the
poetics of this author. Concerning the evolution of literature and painting as well as
the aesthetics of Impressionism, Jacques Busse's works Littérature et Peinture
(2011) by Daniel Bergez and La dialectique du regard (2000) served as theoretical
support. In order to make a comparison between the Noaillian work and its pictorial
writing, we support on Júlia Van Gusteren‟s study: Katherine Mansfield and literary
Impressionism (1990). Regarding the poetics of Anna de Noailles, our theory is
based on the critical study of Angela Bargenda, La poésie d'Anna de Noailles (1995);
by Catherine Perry, Persephone Unbound. Dionysian Aesthetics in the works of
Anna de Noailles (2003) and Marie-Lise Allard, Anna de Noailles entre prose et
poésie (2013). |
| author2 |
Venâncio, Karina Chianca |
| author_facet |
Venâncio, Karina Chianca Andrade, Gilmara Viviane Castor de |
| format |
doctoralThesis |
| author |
Andrade, Gilmara Viviane Castor de |
| author_sort |
Andrade, Gilmara Viviane Castor de |
| title |
Estética impressionista na obra de Anna de Noailles |
| title_short |
Estética impressionista na obra de Anna de Noailles |
| title_full |
Estética impressionista na obra de Anna de Noailles |
| title_fullStr |
Estética impressionista na obra de Anna de Noailles |
| title_full_unstemmed |
Estética impressionista na obra de Anna de Noailles |
| title_sort |
estética impressionista na obra de anna de noailles |
| publisher |
Brasil |
| publishDate |
2019 |
| url |
https://repositorio.ufrn.br/jspui/handle/123456789/26496 |
| work_keys_str_mv |
AT andradegilmaravivianecastorde esteticaimpressionistanaobradeannadenoailles |
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1773965421320339456 |
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ri-123456789-264962019-01-30T13:13:47Z Estética impressionista na obra de Anna de Noailles Andrade, Gilmara Viviane Castor de Venâncio, Karina Chianca Barbosa, Márcio Venicio Araújo, Rosanne Bezerra de Nobre, Lucia Fátima Fernandes Oliveira, Maria Angélica de Estética impressionista Impressionismo pictórico Literatura Pintura CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA The correspondence between literature and painting always has been treated by the history of art, but the relationship of these two artistic expressions evolves with the creation of the Royal Academy of Painting and Sculpture in the seventeenth century, when painting begins its period of autonomy of literature. But it is in the nineteenth century that the closeness between artists and writers strengthen the links between the arts. The admiration of writers for painting, motivates them to seek innovation for poetry. However, it is the modern poets of the twentieth century who, like the painting, revolutionize the form of poetry. The present study, entitled impressionist aesthetics in the work of Anna de Noailles, is circumscribed during this period of transition between the nineteenth and early twentieth centuries, and has as its object the poetic work Les Éblouissements (1907), by Anna de Noailles (1876-1933). The objective of the research is to analyze the traces of pictorial Impressionism in the poetry of Noailles. For this, we performed a comparative study between poetry and painting, in order to identify pictorial aspects of the Impressionist movement in the poetics of this author. Concerning the evolution of literature and painting as well as the aesthetics of Impressionism, Jacques Busse's works Littérature et Peinture (2011) by Daniel Bergez and La dialectique du regard (2000) served as theoretical support. In order to make a comparison between the Noaillian work and its pictorial writing, we support on Júlia Van Gusteren‟s study: Katherine Mansfield and literary Impressionism (1990). Regarding the poetics of Anna de Noailles, our theory is based on the critical study of Angela Bargenda, La poésie d'Anna de Noailles (1995); by Catherine Perry, Persephone Unbound. Dionysian Aesthetics in the works of Anna de Noailles (2003) and Marie-Lise Allard, Anna de Noailles entre prose et poésie (2013). Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) A correspondência entre literatura e pintura sempre foi tratada pela história da arte. Todavia, a relação dessas duas expressões artísticas evolui com a criação da Real Academia de Pintura e Escultura, no século XVII, momento em que a pintura inicia sua fase de autonomia da literatura. Mas é no século XIX que a proximidade entre artistas e escritores estreita os laços entre as artes. A admiração dos escritores pela pintura lhes motiva a buscar inovação para a poesia. No entanto, são os poetas modernos do século XX, a exemplo da pintura, que revolucionam a forma da poesia. O presente estudo está circunscrito nesse período de transição entre os séculos XIX e XX, e tem por objeto de pesquisa a obra poética Les Éblouissements (1907), de Anna de Noailles (1876-1933). O objetivo da pesquisa é analisar os traços do Impressionismo pictórico na poesia da autora. Para isso, realizamos um estudo comparado entre poesia e pintura, a fim de identificarmos aspectos pictóricos do movimento impressionista na poética dessa escritora. Concernente à evolução da literatura e pintura e também à estética do Impressionismo, as obras Littérature et Peinture (2011), de Daniel Bergez, e La dialectique du regard (2000), de Jacques Busse, serviram-nos de apoio teórico. No sentido de fazer o cotejamento entre a obra noailliana e a sua escrita pictórica, nos apoiamos em Júlia Van Gusteren, com a obra Katherine Mansfield and literary Impressionism (1990). Referente à poética de Anna de Noailles, nosso embasamento tem por referência o estudo crítico de Angela Bargenda, com La poésie d’Anna de Noailles (1995), de Catherine Perry, com Persephone Unbound. Dionysian Aesthetics in the works of Anna de Noailles (2003), e de Marie-Lise Allard, com Anna de Noailles Entre prose et poésie (2013). 2019-01-14T20:35:29Z 2019-01-14T20:35:29Z 2018-06-25 doctoralThesis ANDRADE, Gilmara Viviane Castor de. Estética impressionista na obra de Anna de Noailles. 2018. 237f. Tese (Doutorado em Estudos da Linguagem) - Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Natal, 2018. https://repositorio.ufrn.br/jspui/handle/123456789/26496 por Acesso Aberto application/pdf Brasil UFRN PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DA LINGUAGEM |