Grande sertão: veredas e cartilha do silêncio: a realidade se recompõe pela travessia da memória
This research deals with the investigation of the intertextual networks between the works Grande Sertão: Veredas, by João Guimarães Rosa, published in 1956, and Cartilha do Silêncio, by Francisco José Costa Dantas, 1997. In order to make the writing through its similarities and differences, as re...
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Formato: | doctoralThesis |
Idioma: | por |
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Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/26071 |
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Resumo: | This research deals with the investigation of the intertextual networks between the works
Grande Sertão: Veredas, by João Guimarães Rosa, published in 1956, and Cartilha do
Silêncio, by Francisco José Costa Dantas, 1997. In order to make the writing through its
similarities and differences, as regards the analytical remembrance categories associated
with the figuration of the literary tradition constituted, the allegory of circularity and the
erotic, as elements of composition of the novels. From the notion of intertextuality
(CARVALHAL, 2003) and dialogism (BAKHTIN, 1997), comparative literature
foundations, we understand the mention of one writer to another suggests, in this context,
that both the continuity of the tradition and its problematization or reinvention, which,
according to Antonio Candido (2000), helps to constitute the Brazilian "literary system".
In this direction, Francisco Dantas' work integrates this system, giving continuity to the
regionalist literary tradition, and, in particular, the Rosa's fiction, in the frames of
contemporary Brazilian literature. To discuss about memory, we adopted the Ecléa Bosi's
(1994), Le Goff's (1996) and Paul Ricouer's studies (2007). In the reflections on the
circular movement of the works, we chose Walter Benjamin's (1984) and Kothe's (1986)
theoretical systematization, as far as the notion of allegory is concerned. From this
perspective, it was possible to perceive that memory makes the (re)construction of Sertão
and Cartilha narrative as an expression of fragmentation, instigating the discontinuous
movement. The investigated works are inscribed under the principle of non-immobility,
of the circularity allegory around what their characters live, of a memory that escapes the
logical chain of remembered matter, because they were made of "patchwork" and
forgetfulness, of sensed and silenced desires, of a time combined with other times, of
going forward and of immediate retreat. To discussion about the erotic, Georges Bataille's
(2004) and Octavio Paz's thoughts (1994) served as a theoretical contribution. From them,
we try to analyze the intense and non-permissive wills, in view of the "impositions on
which the world of reason rests" (Bataille, 2004). In their singularities, Rosa and Dantas
bring to the expression of their novels the sign of the existence contradictions, between
appearance and what is hidden in it, between will and prohibitions. |
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