"Sangue negro - Máscaras brancas": a negritude moçambicana em Noémia de Sousa
The starting point of this dissertation was the work Sangue Negro (2016) by the poet Noémia de Sousa (1926-2002), who is known as the “mother of Mozambican poets”. Aiming to read the poems of Noémia de Sousa in relation to aspects of negritude, the corpus extracted from Sangue Negro (2016), inclu...
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ri-123456789-259312019-01-30T07:39:49Z "Sangue negro - Máscaras brancas": a negritude moçambicana em Noémia de Sousa "Sangue negro - Máscaras brancas": the mozambican negritude in the work of Noémia de Sousa Oliveira, Mariana Alves Barbosa de Marcolino, Francisco Fábio Vieira Santos, Derivaldo dos Bezerra, Rosilda Alves Africanidade Noémia de Sousa Poesia moçambicana CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA The starting point of this dissertation was the work Sangue Negro (2016) by the poet Noémia de Sousa (1926-2002), who is known as the “mother of Mozambican poets”. Aiming to read the poems of Noémia de Sousa in relation to aspects of negritude, the corpus extracted from Sangue Negro (2016), included: Negra, Poema and A Billie Holiday, cantora. During the initial phase, the poetic texts were analyzed by exploring their structural elements. Then, fundamental questions were discussed to substantiate the interpretations of the poems such as Postmodernity and negritude in order to reveal the dialogical relation between the selected theories and the poems. For theoretical and methodological questions the present research used a qualitative-interpretative basis and, regarding the nature of the used sources, the research was bibliographical. Considering the purpose of the research, the method applied was the bibliographical review, to select and analyse the material. This scientific study is inserted in the study area of Comparative Literature, in particular related to the Modern and Postmodern Poetics. According to this line of research, the following theorists were used as theoretical background: Bhabha (1998), Césaire (2010), Fanon (2008), Hall (2005), Munanga (2009) and Spivak (2010). In conclusion, after analysing Noémia de Sousa‟s selected poems, it was possible to observe that, through their colloquial and musical diction, reflects and problematizes two large social exclusions: racial and cultural. Esta dissertação tem como objeto de estudo a obra Sangue Negro (2016), da poeta Noémia de Sousa (1926-2002), considerada a “mãe dos poetas moçambicanos”. Esta pesquisa objetivou realizar uma leitura dos poemas de Noémia de Sousa em diálogo com aspectos da negritude. O corpus utilizado incorpora os seguintes poemas recolhidos em Sangue Negro (2016): Negra, Poema e A Billie Holiday, cantora. No trabalho inicial da pesquisa, foi analisado o texto poético em si, explorando seus elementos estruturais. Em uma segunda etapa, foram tratadas algumas questões fundamentais para o embasamento das interpretações do poema, sendo elas: a pós-modernidade e a negritude, a fim de se perceber as relações dialógicas entre as teorias e os poemas selecionados. Por questões teórico-metodológicas a presente pesquisa é de base qualitativointerpretativa. Com referência à natureza das fontes utilizadas, a pesquisa é bibliográfica. Levando em conta o objetivo da pesquisa, o método selecionado é o da revisão bibliográfica, com seleção e análise de material bibliográfico. O presente trabalho científico pertence à área de Estudos em Literatura Comparada, especificamente relacionada com as Poéticas da Modernidade e da PósModernidade. Nessa linha de pesquisa, respaldamos nossa análise nos seguintes teóricos: Bhabha (1998), Césaire (2010), Fanon (2008), Hall (2005), Munanga (2009), Spivak (2010). Ao término da análise dos poemas selecionados, observou-se que os poemas de Noémia de Sousa, através de dicção coloquial e musical, refletem e problematizam duas grandes exclusões sociais: racial e cultural. 2018-10-04T19:16:26Z 2018-10-04T19:16:26Z 2018-07-23 masterThesis OLIVEIRA, Mariana Alves Barbosa de. "Sangue negro - Máscaras brancas": a negritude moçambicana em Noémia de Sousa . 2018. 96f. Dissertação (Mestrado em Estudos da Linguagem) - Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Natal, 2018. https://repositorio.ufrn.br/jspui/handle/123456789/25931 por Acesso Aberto application/pdf Brasil UFRN PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DA LINGUAGEM |
| institution |
Repositório Institucional |
| collection |
RI - UFRN |
| language |
por |
| topic |
Africanidade Noémia de Sousa Poesia moçambicana CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
| spellingShingle |
Africanidade Noémia de Sousa Poesia moçambicana CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA Oliveira, Mariana Alves Barbosa de "Sangue negro - Máscaras brancas": a negritude moçambicana em Noémia de Sousa |
| description |
The starting point of this dissertation was the work Sangue Negro (2016) by the
poet Noémia de Sousa (1926-2002), who is known as the “mother of Mozambican
poets”. Aiming to read the poems of Noémia de Sousa in relation to aspects of
negritude, the corpus extracted from Sangue Negro (2016), included: Negra,
Poema and A Billie Holiday, cantora. During the initial phase, the poetic texts were
analyzed by exploring their structural elements. Then, fundamental questions were
discussed to substantiate the interpretations of the poems such as Postmodernity
and negritude in order to reveal the dialogical relation between the selected
theories and the poems. For theoretical and methodological questions the present
research used a qualitative-interpretative basis and, regarding the nature of the
used sources, the research was bibliographical. Considering the purpose of the
research, the method applied was the bibliographical review, to select and analyse
the material. This scientific study is inserted in the study area of Comparative
Literature, in particular related to the Modern and Postmodern Poetics. According
to this line of research, the following theorists were used as theoretical
background: Bhabha (1998), Césaire (2010), Fanon (2008), Hall (2005), Munanga
(2009) and Spivak (2010). In conclusion, after analysing Noémia de Sousa‟s
selected poems, it was possible to observe that, through their colloquial and
musical diction, reflects and problematizes two large social exclusions: racial and
cultural. |
| author2 |
Marcolino, Francisco Fábio Vieira |
| author_facet |
Marcolino, Francisco Fábio Vieira Oliveira, Mariana Alves Barbosa de |
| format |
masterThesis |
| author |
Oliveira, Mariana Alves Barbosa de |
| author_sort |
Oliveira, Mariana Alves Barbosa de |
| title |
"Sangue negro - Máscaras brancas": a negritude moçambicana em Noémia de Sousa |
| title_short |
"Sangue negro - Máscaras brancas": a negritude moçambicana em Noémia de Sousa |
| title_full |
"Sangue negro - Máscaras brancas": a negritude moçambicana em Noémia de Sousa |
| title_fullStr |
"Sangue negro - Máscaras brancas": a negritude moçambicana em Noémia de Sousa |
| title_full_unstemmed |
"Sangue negro - Máscaras brancas": a negritude moçambicana em Noémia de Sousa |
| title_sort |
"sangue negro - máscaras brancas": a negritude moçambicana em noémia de sousa |
| publisher |
Brasil |
| publishDate |
2018 |
| url |
https://repositorio.ufrn.br/jspui/handle/123456789/25931 |
| work_keys_str_mv |
AT oliveiramarianaalvesbarbosade sanguenegromascarasbrancasanegritudemocambicanaemnoemiadesousa AT oliveiramarianaalvesbarbosade sanguenegromascarasbrancasthemozambicannegritudeintheworkofnoemiadesousa |
| _version_ |
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