"Sangue negro - Máscaras brancas": a negritude moçambicana em Noémia de Sousa
The starting point of this dissertation was the work Sangue Negro (2016) by the poet Noémia de Sousa (1926-2002), who is known as the “mother of Mozambican poets”. Aiming to read the poems of Noémia de Sousa in relation to aspects of negritude, the corpus extracted from Sangue Negro (2016), inclu...
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| Formato: | Dissertação |
| Idioma: | por |
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/25931 |
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| Resumo: | The starting point of this dissertation was the work Sangue Negro (2016) by the
poet Noémia de Sousa (1926-2002), who is known as the “mother of Mozambican
poets”. Aiming to read the poems of Noémia de Sousa in relation to aspects of
negritude, the corpus extracted from Sangue Negro (2016), included: Negra,
Poema and A Billie Holiday, cantora. During the initial phase, the poetic texts were
analyzed by exploring their structural elements. Then, fundamental questions were
discussed to substantiate the interpretations of the poems such as Postmodernity
and negritude in order to reveal the dialogical relation between the selected
theories and the poems. For theoretical and methodological questions the present
research used a qualitative-interpretative basis and, regarding the nature of the
used sources, the research was bibliographical. Considering the purpose of the
research, the method applied was the bibliographical review, to select and analyse
the material. This scientific study is inserted in the study area of Comparative
Literature, in particular related to the Modern and Postmodern Poetics. According
to this line of research, the following theorists were used as theoretical
background: Bhabha (1998), Césaire (2010), Fanon (2008), Hall (2005), Munanga
(2009) and Spivak (2010). In conclusion, after analysing Noémia de Sousa‟s
selected poems, it was possible to observe that, through their colloquial and
musical diction, reflects and problematizes two large social exclusions: racial and
cultural. |
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