Um riso carnavalesco na belle époque carioca: as crônicas barretianas, sob pseudônimos, e seu diálogo com os deserdados da cidade
In this research, I intend to investigate a corpus consisting of 08 chronicles of Lima Barreto produced in the context of Belle Époque in Rio de Janeiro. The chronicles are part of a book organized by Felipe Botelho Corrêa (2016) who selected 164 chronicles of Lima Barreto written under the nickn...
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| Formato: | Dissertação |
| Idioma: | por |
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/25764 |
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| Resumo: | In this research, I intend to investigate a corpus consisting of 08 chronicles of Lima Barreto
produced in the context of Belle Époque in Rio de Janeiro. The chronicles are part of a book
organized by Felipe Botelho Corrêa (2016) who selected 164 chronicles of Lima Barreto written
under the nickname of pseudonyms in the magazines Careta and Fon-Fon. The analysis of the
selected corpus takes place through the confluence of three discursive fields: literary, journalistic,
and humorous and carries in itself the mark of subversive humor, of an enunciative identity marked
by laughter that destabilizes and language designed to talk to the city of Rio de Janeiro and its
disinherited. Thus, the analysis rests on chronicles that may evidence dissident social identities or
resistance of civilizing discourse. The categories grotesque, lowering the other, breaking of
hierarchiesanalyzed come from the concepts of dialogism and literary carnivalization, concepts
explored in the studies of the Circle of Bakhtin. The theoretical and methodological contribution of
this work is given by the studies of the French Discourse Analysis, mainly Maingueneau and
Foucault, from the Bakhtin Circle studies and from the studies identity on Hall and Bhabha. |
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