Encenadoras do Cariri em múltiplas funções: trajetos possíveis para a atuação polifônica no teatro de grupo
In the master's research that gave rise to this dissertation, the authoress investigated the performance of the directress in multiple functions and the interferences that this form of action provokes in the others involved in the theatrical creation, what was identified as the formation of...
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| Formato: | Dissertação |
| Idioma: | por |
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Brasil
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/25703 |
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| Resumo: | In the master's research that gave rise to this dissertation, the authoress investigated the
performance of the directress in multiple functions and the interferences that this form of
action provokes in the others involved in the theatrical creation, what was identified as the
formation of a polyphonic discourse. Polyphonic performance is understood as the possibility
of artist developing his or her scenic object in a relation of appropriation of the other
discourses coming from the artists that make up the theatrical creation. To discuss this issue,
the authoress presents as a case study the artists who work in the region of Cariri, in the south
of Ceará: Cecília Raiffer, who is the directress and playwright of Cia Engenharia Cênica;
Carla Hemanuela, who is the stage directress and costume designer of the theater group Trupe
dos Pensantes; and her own acting as a directress, enlightener and choreographer in the
Coletivo Atuantes em Cena. Based on the research recorded here, the authoress considers that
the researched directresses have been constructing their poetics in a dialogical and horizontal
relation with the other envolved. In this sense, the research contributed to a study about the
practice of theatrical creation in a way that is due to the bias of the exchange between the
knowledge of the involved ones, which facilitates the practice of autonomy in the theatrical
scene and fortifies the group work. |
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