Rememórias opus 79 para violão solo de Marlos Nobre: um processo criativo
The present work deals with the creative process of the author in the interpretation of the Rememórias Opus 79 suite for solo guitar by brasilian composer Marlos Nobre (1939-). In this research, the interpreter describes his creative process based on his empirical experience in interpreting the work...
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| Formato: | Dissertação |
| Idioma: | por |
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Brasil
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/24894 |
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| Resumo: | The present work deals with the creative process of the author in the interpretation of the Rememórias Opus 79 suite for solo guitar by brasilian composer Marlos Nobre (1939-). In this research, the interpreter describes his creative process based on his empirical experience in interpreting the work. In order to provide a foundation for his interpretative ideas, the author made use of an interview with the composer and of the influences of traditional Northeastern music present in the piece. Authors like Andrade (1972, 1989), Alvarenga (1982), Corquer-Nobre (1994), Barancoski (1997), Azevedo (2000), Ferraz (2007), Silva (2007), Cavini (2009) and Anjos (2013), guided our theoretical reference. Musical examples of edited pieces of the score were developed, and use was made of audiovisual examples and a complete audiovisual recording of the piece. |
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